« I am content with tentativeness from day to day » : Thomas Hardy et le parti pris poétique du tâtonnement
In his notebooks and prefaces, Thomas Hardy dwells heavily on the elusive, non methodical quality of his writing, pointing at the absence of any philosophical coherence in his work. This deliberate artistic preference for uncertainty is visible in the poet’s hesitant stances, wavering between harsh...
Saved in:
Main Author: | Laurence Estanove |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires de la Méditerranée
2010-06-01
|
Series: | Cahiers Victoriens et Edouardiens |
Online Access: | https://journals.openedition.org/cve/3104 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
« The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix »
by: Laurence Estanove
Published: (2009-04-01) -
Violence et vision : The Dynasts de Thomas Hardy
by: Laurence Estanove
Published: (2007-03-01) -
Poetry as Pagan Pilgrimage: the ‘Animative Impulse’ of Thomas Hardy’s Verse
by: Laurence Estanove
Published: (2014-09-01) -
Thomas Hardy, Two on a Tower : vers une redéfinition cosmique de l’appartenance
by: Laurence Estanove
Published: (2008-12-01) -
Les Dynastes de Thomas Hardy : une poétique spectrale à l’œuvre contre la guerre
by: Annie Escuret
Published: (2007-12-01)