Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille

Flemish playwright Peter Verhelst's adaptation of Richard III - as staged by French director Ludovic Lagarde at the Avignon Festival in 2007 - deletes the entire last act of the play, the act that, in the Shakespearean original, dramatises the battle of Bosworth. This omission, I wish to argue,...

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Main Author: Florence March
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2014-06-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/4014
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author Florence March
author_facet Florence March
author_sort Florence March
collection DOAJ
description Flemish playwright Peter Verhelst's adaptation of Richard III - as staged by French director Ludovic Lagarde at the Avignon Festival in 2007 - deletes the entire last act of the play, the act that, in the Shakespearean original, dramatises the battle of Bosworth. This omission, I wish to argue, crystallises - in the space between page and stage - the choice of what I call an "aesthetic of the suture", or rather of the impossibility of the suture, which I offer as a dialectical metaphor for the relationship between hypo- and hyper-texts. Since, in Shakespeare's history plays, the representation of war offers a systematic source of metatheatre, I will focus for my analysis of this production on Verhelst's and Lagarde's alternative metatheatrical strategies, in the absence of an actual battlefield, for presenting the text's "blood narrative".
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2014-06-01
publisher Centre de Recherche "Texte et Critique de Texte"
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series Sillages Critiques
spelling doaj-art-495cc5c1b5da4f86a126242a0abda7382025-01-30T13:47:36ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022014-06-011810.4000/sillagescritiques.4014Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de batailleFlorence MarchFlemish playwright Peter Verhelst's adaptation of Richard III - as staged by French director Ludovic Lagarde at the Avignon Festival in 2007 - deletes the entire last act of the play, the act that, in the Shakespearean original, dramatises the battle of Bosworth. This omission, I wish to argue, crystallises - in the space between page and stage - the choice of what I call an "aesthetic of the suture", or rather of the impossibility of the suture, which I offer as a dialectical metaphor for the relationship between hypo- and hyper-texts. Since, in Shakespeare's history plays, the representation of war offers a systematic source of metatheatre, I will focus for my analysis of this production on Verhelst's and Lagarde's alternative metatheatrical strategies, in the absence of an actual battlefield, for presenting the text's "blood narrative".https://journals.openedition.org/sillagescritiques/4014adaptationShakespearepalimpsestAvignon FestivalLudovic LagardePeter Verhelst
spellingShingle Florence March
Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille
Sillages Critiques
adaptation
Shakespeare
palimpsest
Avignon Festival
Ludovic Lagarde
Peter Verhelst
title Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille
title_full Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille
title_fullStr Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille
title_full_unstemmed Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille
title_short Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille
title_sort richard iii palimpseste richard iii de verhelst mis en scene par lagarde l ellipse du champ de bataille
topic adaptation
Shakespeare
palimpsest
Avignon Festival
Ludovic Lagarde
Peter Verhelst
url https://journals.openedition.org/sillagescritiques/4014
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