Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle
The restoration of the Trône de Grâce including to a diploma of the end of studies was the opportunity to realize the remove of the twelve overpaints recovering the the original polychromy layer. This intervention, long and delicate, was all the more difficult as the sculpture was covered with harde...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2010-11-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/1748 |
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| _version_ | 1832578099271696384 |
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| author | Muriel Oiry |
| author_facet | Muriel Oiry |
| author_sort | Muriel Oiry |
| collection | DOAJ |
| description | The restoration of the Trône de Grâce including to a diploma of the end of studies was the opportunity to realize the remove of the twelve overpaints recovering the the original polychromy layer. This intervention, long and delicate, was all the more difficult as the sculpture was covered with hardened black crusts. Only an accurate examination makes it possible to document the different paint layers. The various surfaces to be treated, according to their state of preservation. |
| format | Article |
| id | doaj-art-48c9833c695b4b4aa7c0465f6a2a6c1f |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2010-11-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-48c9833c695b4b4aa7c0465f6a2a6c1f2025-01-30T14:13:40ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922010-11-01110.4000/ceroart.1748Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècleMuriel OiryThe restoration of the Trône de Grâce including to a diploma of the end of studies was the opportunity to realize the remove of the twelve overpaints recovering the the original polychromy layer. This intervention, long and delicate, was all the more difficult as the sculpture was covered with hardened black crusts. Only an accurate examination makes it possible to document the different paint layers. The various surfaces to be treated, according to their state of preservation.https://journals.openedition.org/ceroart/1748trinityLorrainestoneremove paintingblack crusts |
| spellingShingle | Muriel Oiry Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle CeROArt : Conservation, Exposition, Restauration d'Objets d'Art trinity Lorraine stone remove painting black crusts |
| title | Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle |
| title_full | Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle |
| title_fullStr | Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle |
| title_full_unstemmed | Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle |
| title_short | Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle |
| title_sort | le trone de grace etude et la restauration d une trinite lorraine du xve siecle |
| topic | trinity Lorraine stone remove painting black crusts |
| url | https://journals.openedition.org/ceroart/1748 |
| work_keys_str_mv | AT murieloiry letronedegraceetudeetlarestaurationdunetrinitelorraineduxvesiecle |