De l’iconoclasme à la censure
Traditionally a hetero-patriarchal institution, the museum helps to maintain gender roles, stereotypes and the rendering of women invisible in history. As a legitimising, sacred, public and heteronormative space, the museum has been the target of a series of violent acts that call the institution it...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2020-11-01
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| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cel/9652 |
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| _version_ | 1832578425689210880 |
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| author | Liliane Inés Cuesta Davignon |
| author_facet | Liliane Inés Cuesta Davignon |
| author_sort | Liliane Inés Cuesta Davignon |
| collection | DOAJ |
| description | Traditionally a hetero-patriarchal institution, the museum helps to maintain gender roles, stereotypes and the rendering of women invisible in history. As a legitimising, sacred, public and heteronormative space, the museum has been the target of a series of violent acts that call the institution itself into question. This paper analyses acts that have two things in common: they occur in the museum space and they are motivated by a gender- or sexuality-linked claim, denouncing the situation experienced by women, their absence, the inequalities they suffer, and the visual suppression of sexual minorities. The forms taken by these acts vary. Taking specific examples, four types of acts committed by both men and women are identified: acts of iconoclasm, artistic performances, demonstrations or protests, and acts of censorship. |
| format | Article |
| id | doaj-art-459c5e53a0634bcd97ade4d152a1a229 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2020-11-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-459c5e53a0634bcd97ade4d152a1a2292025-01-30T14:00:18ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2020-11-011510.4000/cel.9652De l’iconoclasme à la censureLiliane Inés Cuesta DavignonTraditionally a hetero-patriarchal institution, the museum helps to maintain gender roles, stereotypes and the rendering of women invisible in history. As a legitimising, sacred, public and heteronormative space, the museum has been the target of a series of violent acts that call the institution itself into question. This paper analyses acts that have two things in common: they occur in the museum space and they are motivated by a gender- or sexuality-linked claim, denouncing the situation experienced by women, their absence, the inequalities they suffer, and the visual suppression of sexual minorities. The forms taken by these acts vary. Taking specific examples, four types of acts committed by both men and women are identified: acts of iconoclasm, artistic performances, demonstrations or protests, and acts of censorship.https://journals.openedition.org/cel/9652feminismgenderqueerMuseumsexualityheteronormativity |
| spellingShingle | Liliane Inés Cuesta Davignon De l’iconoclasme à la censure Les Cahiers de l'École du Louvre feminism gender queer Museum sexuality heteronormativity |
| title | De l’iconoclasme à la censure |
| title_full | De l’iconoclasme à la censure |
| title_fullStr | De l’iconoclasme à la censure |
| title_full_unstemmed | De l’iconoclasme à la censure |
| title_short | De l’iconoclasme à la censure |
| title_sort | de l iconoclasme a la censure |
| topic | feminism gender queer Museum sexuality heteronormativity |
| url | https://journals.openedition.org/cel/9652 |
| work_keys_str_mv | AT lilianeinescuestadavignon deliconoclasmealacensure |