The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion

This article seeks to analyse, through the example of R. L. Stevenson’s late novella entitled The Beach of Falesá, how the insular space allows for multiple forms of confluences, and to determine how subversive these confluences are, as well as how this spatial phenomenon affects the text and is con...

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Main Author: Julie Gay
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2018-06-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/3637
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author Julie Gay
author_facet Julie Gay
author_sort Julie Gay
collection DOAJ
description This article seeks to analyse, through the example of R. L. Stevenson’s late novella entitled The Beach of Falesá, how the insular space allows for multiple forms of confluences, and to determine how subversive these confluences are, as well as how this spatial phenomenon affects the text and is conducive to the creation of a highly modern form of adventure. It first examines, at the diegetic level, the cultural, religious and linguistic confluences that are characteristic of the island, and how they potentially question the imperialistic ideal. Then, the article highlights the spatio-temporal duality of the island by highlighting its liminality, and the generic hybridity it leads to, as the novella oscillates between realism, romance and the fantastic, among others. Finally, it studies how this diversity affects the narrative itself, which is indeed highly polyphonic, underlining the extreme formal modernity of a text that stands at the crossroads of voices, languages and points of view.
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language English
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record_format Article
series Cahiers Victoriens et Edouardiens
spelling doaj-art-458796cc5ad2473bbc265eb4c19dcd9f2025-01-30T10:22:05ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492018-06-018710.4000/cve.3637The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as SubversionJulie GayThis article seeks to analyse, through the example of R. L. Stevenson’s late novella entitled The Beach of Falesá, how the insular space allows for multiple forms of confluences, and to determine how subversive these confluences are, as well as how this spatial phenomenon affects the text and is conducive to the creation of a highly modern form of adventure. It first examines, at the diegetic level, the cultural, religious and linguistic confluences that are characteristic of the island, and how they potentially question the imperialistic ideal. Then, the article highlights the spatio-temporal duality of the island by highlighting its liminality, and the generic hybridity it leads to, as the novella oscillates between realism, romance and the fantastic, among others. Finally, it studies how this diversity affects the narrative itself, which is indeed highly polyphonic, underlining the extreme formal modernity of a text that stands at the crossroads of voices, languages and points of view.https://journals.openedition.org/cve/3637hybriditygenreadventureislandpolyphonyStevenson (Robert Louis)
spellingShingle Julie Gay
The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion
Cahiers Victoriens et Edouardiens
hybridity
genre
adventure
island
polyphony
Stevenson (Robert Louis)
title The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion
title_full The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion
title_fullStr The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion
title_full_unstemmed The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion
title_short The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion
title_sort island in r l stevenson s the beach of falesa confluence s as subversion
topic hybridity
genre
adventure
island
polyphony
Stevenson (Robert Louis)
url https://journals.openedition.org/cve/3637
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