Aiming at reproducibility in lining canvas paintings
This paper describes a process started in 2011 with the use of the “mist lining” technique for a large painting by Titian, conserved in Venice uncontrolled environment. After several experiences with a specific version of the method, Valerio Garofalo’s research thesis helped the standardisation of l...
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Format: | Article |
Language: | English |
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Association CeROArt
2019-09-01
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Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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Online Access: | https://journals.openedition.org/ceroart/6488 |
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author | Antonio Iaccarino Idelson Valerio Garofalo |
author_facet | Antonio Iaccarino Idelson Valerio Garofalo |
author_sort | Antonio Iaccarino Idelson |
collection | DOAJ |
description | This paper describes a process started in 2011 with the use of the “mist lining” technique for a large painting by Titian, conserved in Venice uncontrolled environment. After several experiences with a specific version of the method, Valerio Garofalo’s research thesis helped the standardisation of lining procedures aiming to obtain predictable, reproducible results. This was achieved through the production of a large quantity of mock-up painting linings and samples for peel tests. The bond created with a viscoelastic adhesive appears stronger with high speed testing, if compared with the same at a lower speed, but literature shows high variability of peel speeds. Preliminary tests with different speeds for Plextol B500 allowed to compare results with literature data. The study gives a deeper understanding of the mechanisms involved in adhesion when lining with this method. |
format | Article |
id | doaj-art-45474639f98544ae85ae7b5ff5a7eb35 |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2019-09-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-45474639f98544ae85ae7b5ff5a7eb352025-01-30T14:14:03ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922019-09-011110.4000/ceroart.6488Aiming at reproducibility in lining canvas paintingsAntonio Iaccarino IdelsonValerio GarofaloThis paper describes a process started in 2011 with the use of the “mist lining” technique for a large painting by Titian, conserved in Venice uncontrolled environment. After several experiences with a specific version of the method, Valerio Garofalo’s research thesis helped the standardisation of lining procedures aiming to obtain predictable, reproducible results. This was achieved through the production of a large quantity of mock-up painting linings and samples for peel tests. The bond created with a viscoelastic adhesive appears stronger with high speed testing, if compared with the same at a lower speed, but literature shows high variability of peel speeds. Preliminary tests with different speeds for Plextol B500 allowed to compare results with literature data. The study gives a deeper understanding of the mechanisms involved in adhesion when lining with this method.https://journals.openedition.org/ceroart/6488methodologyliningPlextol B500testmist liningpeel test |
spellingShingle | Antonio Iaccarino Idelson Valerio Garofalo Aiming at reproducibility in lining canvas paintings CeROArt : Conservation, Exposition, Restauration d'Objets d'Art methodology lining Plextol B500 test mist lining peel test |
title | Aiming at reproducibility in lining canvas paintings |
title_full | Aiming at reproducibility in lining canvas paintings |
title_fullStr | Aiming at reproducibility in lining canvas paintings |
title_full_unstemmed | Aiming at reproducibility in lining canvas paintings |
title_short | Aiming at reproducibility in lining canvas paintings |
title_sort | aiming at reproducibility in lining canvas paintings |
topic | methodology lining Plextol B500 test mist lining peel test |
url | https://journals.openedition.org/ceroart/6488 |
work_keys_str_mv | AT antonioiaccarinoidelson aimingatreproducibilityinliningcanvaspaintings AT valeriogarofalo aimingatreproducibilityinliningcanvaspaintings |