The Dickensian Tropism in Contemporary Fiction
Dickens is a prominent figure in neo-Victorian fiction. Indeed, ‘neo-Dickensian’ features as a sub-category of the neo-Victorian output and largely contributes to the so-called ‘Dickens Afterlife.’ Yet, studies of contemporary fictions overly drawing from Dickens’s works have so far been piecemeal a...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires de la Méditerranée
2012-01-01
|
| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/12419 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832581296533012480 |
|---|---|
| author | Georges Letissier |
| author_facet | Georges Letissier |
| author_sort | Georges Letissier |
| collection | DOAJ |
| description | Dickens is a prominent figure in neo-Victorian fiction. Indeed, ‘neo-Dickensian’ features as a sub-category of the neo-Victorian output and largely contributes to the so-called ‘Dickens Afterlife.’ Yet, studies of contemporary fictions overly drawing from Dickens’s works have so far been piecemeal as there has not been any attempt to address Dickensian rewritings from a wide, comprehensive perspective. It is our purpose in this paper to try to sketch out a few directions to (hopefully?) initiate an in-depth reflection on Dickens’s reception in the late twentieth and early twenty-first century from a sample of texts revisiting, recycling, ‘reprising’ or deconstructing their Dickensian hypotexts. This article draws from Jay Clayton’s study on Dickens and postmodernism to track down different contemporary responses from Kathy Acker to Sarah Waters and the Antipodean rewritings of both Peter Carey’s Jack Maggs and Lloyd Jones’s Mister Pip. |
| format | Article |
| id | doaj-art-4446b9cd80c84614ae22512b4adae794 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2012-01-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-4446b9cd80c84614ae22512b4adae7942025-01-30T10:21:00ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492012-01-0110.4000/cve.12419The Dickensian Tropism in Contemporary FictionGeorges LetissierDickens is a prominent figure in neo-Victorian fiction. Indeed, ‘neo-Dickensian’ features as a sub-category of the neo-Victorian output and largely contributes to the so-called ‘Dickens Afterlife.’ Yet, studies of contemporary fictions overly drawing from Dickens’s works have so far been piecemeal as there has not been any attempt to address Dickensian rewritings from a wide, comprehensive perspective. It is our purpose in this paper to try to sketch out a few directions to (hopefully?) initiate an in-depth reflection on Dickens’s reception in the late twentieth and early twenty-first century from a sample of texts revisiting, recycling, ‘reprising’ or deconstructing their Dickensian hypotexts. This article draws from Jay Clayton’s study on Dickens and postmodernism to track down different contemporary responses from Kathy Acker to Sarah Waters and the Antipodean rewritings of both Peter Carey’s Jack Maggs and Lloyd Jones’s Mister Pip.https://journals.openedition.org/cve/12419 |
| spellingShingle | Georges Letissier The Dickensian Tropism in Contemporary Fiction Cahiers Victoriens et Edouardiens |
| title | The Dickensian Tropism in Contemporary Fiction |
| title_full | The Dickensian Tropism in Contemporary Fiction |
| title_fullStr | The Dickensian Tropism in Contemporary Fiction |
| title_full_unstemmed | The Dickensian Tropism in Contemporary Fiction |
| title_short | The Dickensian Tropism in Contemporary Fiction |
| title_sort | dickensian tropism in contemporary fiction |
| url | https://journals.openedition.org/cve/12419 |
| work_keys_str_mv | AT georgesletissier thedickensiantropismincontemporaryfiction AT georgesletissier dickensiantropismincontemporaryfiction |