From Trinidad to Cyberspace: Reconsidering Ernst Toch’s “Geographical Fugue”
Ernst Toch’s “Geographical Fugue” was conceived of as a work for technological media, designed as a recording to be ‘performed’ by gramophone set to a faster speed. Perhaps uniquely in music history, this electronic work has had an almost exclusively acoustic performance history of more than eight d...
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| Format: | Article |
| Language: | deu |
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Gesellschaft für Musiktheorie (GMTH)
2012-01-01
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| Series: | Zeitschrift der Gesellschaft für Musiktheorie |
| Subjects: | |
| Online Access: | https://storage.gmth.de/zgmth/pdf/698 |
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