Point(s) d’écart chez E. E. Cummings
This article poses the problem of ‘écart’ or deviation as a relative one, in other words as intrinsic to the creative act. The argument then concerns degrees and levels of what it considers, paradoxically, to be the norm. Focusing on the most original part of E. E. Cummings’s work, his poempictures,...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2011-12-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/2251 |
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| _version_ | 1832578593632288768 |
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| author | Penelope Sacks-Galey |
| author_facet | Penelope Sacks-Galey |
| author_sort | Penelope Sacks-Galey |
| collection | DOAJ |
| description | This article poses the problem of ‘écart’ or deviation as a relative one, in other words as intrinsic to the creative act. The argument then concerns degrees and levels of what it considers, paradoxically, to be the norm. Focusing on the most original part of E. E. Cummings’s work, his poempictures, it shows that the liberties he takes with language stem as much from a thorough working knowledge of its grammar as from a formal research into art form dynamics. While remaining within the convention of the readable, the poet’s idiolect leads to a unique form of creation, one of a Heideggerian order : nature trembles on the page in tune with the poet’s sensibility. |
| format | Article |
| id | doaj-art-42ff4c72b7aa4aaf901e64121a09e7cd |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2011-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-42ff4c72b7aa4aaf901e64121a09e7cd2025-01-30T13:46:33ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-011210.4000/sillagescritiques.2251Point(s) d’écart chez E. E. CummingsPenelope Sacks-GaleyThis article poses the problem of ‘écart’ or deviation as a relative one, in other words as intrinsic to the creative act. The argument then concerns degrees and levels of what it considers, paradoxically, to be the norm. Focusing on the most original part of E. E. Cummings’s work, his poempictures, it shows that the liberties he takes with language stem as much from a thorough working knowledge of its grammar as from a formal research into art form dynamics. While remaining within the convention of the readable, the poet’s idiolect leads to a unique form of creation, one of a Heideggerian order : nature trembles on the page in tune with the poet’s sensibility.https://journals.openedition.org/sillagescritiques/2251normspace as signifierintervalintersticepunctuationtypographical variation |
| spellingShingle | Penelope Sacks-Galey Point(s) d’écart chez E. E. Cummings Sillages Critiques norm space as signifier interval interstice punctuation typographical variation |
| title | Point(s) d’écart chez E. E. Cummings |
| title_full | Point(s) d’écart chez E. E. Cummings |
| title_fullStr | Point(s) d’écart chez E. E. Cummings |
| title_full_unstemmed | Point(s) d’écart chez E. E. Cummings |
| title_short | Point(s) d’écart chez E. E. Cummings |
| title_sort | point s d ecart chez e e cummings |
| topic | norm space as signifier interval interstice punctuation typographical variation |
| url | https://journals.openedition.org/sillagescritiques/2251 |
| work_keys_str_mv | AT penelopesacksgaley pointsdecartchezeecummings |