L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événement
We often hear that Tunisian contemporary art was born after the revolution. This event allegedly increased the number of artists and allowed the emergence of a new generation. The aim of this article is to objectify these transformations thanks to a series of fieldworks conducted between 2001 and 20...
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| Format: | Article |
| Language: | fra |
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CNRS Éditions
2017-06-01
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| Series: | L’Année du Maghreb |
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| Online Access: | https://journals.openedition.org/anneemaghreb/3120 |
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| _version_ | 1832581722734067712 |
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| author | Annabelle Boissier |
| author_facet | Annabelle Boissier |
| author_sort | Annabelle Boissier |
| collection | DOAJ |
| description | We often hear that Tunisian contemporary art was born after the revolution. This event allegedly increased the number of artists and allowed the emergence of a new generation. The aim of this article is to objectify these transformations thanks to a series of fieldworks conducted between 2001 and 2015. The hypothesis is that the revolution does not constitute a Turning Point, but rather leads to expand the artist’s adherence to a regime of probability developed between 2003 and 2010. |
| format | Article |
| id | doaj-art-426647c8e74743d9808798b69145896a |
| institution | Kabale University |
| issn | 1952-8108 2109-9405 |
| language | fra |
| publishDate | 2017-06-01 |
| publisher | CNRS Éditions |
| record_format | Article |
| series | L’Année du Maghreb |
| spelling | doaj-art-426647c8e74743d9808798b69145896a2025-01-30T09:57:31ZfraCNRS ÉditionsL’Année du Maghreb1952-81082109-94052017-06-011635937810.4000/anneemaghreb.3120L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événementAnnabelle BoissierWe often hear that Tunisian contemporary art was born after the revolution. This event allegedly increased the number of artists and allowed the emergence of a new generation. The aim of this article is to objectify these transformations thanks to a series of fieldworks conducted between 2001 and 2015. The hypothesis is that the revolution does not constitute a Turning Point, but rather leads to expand the artist’s adherence to a regime of probability developed between 2003 and 2010.https://journals.openedition.org/anneemaghreb/3120RevolutionTunisia.Contemporary ArtTurning pointCareer trajectory |
| spellingShingle | Annabelle Boissier L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événement L’Année du Maghreb Revolution Tunisia. Contemporary Art Turning point Career trajectory |
| title | L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événement |
| title_full | L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événement |
| title_fullStr | L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événement |
| title_full_unstemmed | L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événement |
| title_short | L’art contemporain tunisien en révolution. Continuité et discontinuité des trajectoires face à l’événement |
| title_sort | l art contemporain tunisien en revolution continuite et discontinuite des trajectoires face a l evenement |
| topic | Revolution Tunisia. Contemporary Art Turning point Career trajectory |
| url | https://journals.openedition.org/anneemaghreb/3120 |
| work_keys_str_mv | AT annabelleboissier lartcontemporaintunisienenrevolutioncontinuiteetdiscontinuitedestrajectoiresfacealevenement |