The Crumbling Two-Story Architecture of Richard Powers’ Fictions

A prominent characteristic of Richard Powers’ technique is that his novels generally proceed by the alternating narration of two different stories. The relations of one story to another vary quite widely, however. On the diegetic level, the two may have a common protagonist, as in Galatea 2.2; or th...

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Main Author: Thomas B. Byers
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2010-02-01
Series:Transatlantica
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Online Access:https://journals.openedition.org/transatlantica/4510
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author Thomas B. Byers
author_facet Thomas B. Byers
author_sort Thomas B. Byers
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description A prominent characteristic of Richard Powers’ technique is that his novels generally proceed by the alternating narration of two different stories. The relations of one story to another vary quite widely, however. On the diegetic level, the two may have a common protagonist, as in Galatea 2.2; or they may concern the different but circumstantially intersecting lives of disparate figures, as in The Echo Maker; or they may explore a possible chain of cause and effect, as in Gain. Most radically, in Plowing the Dark, their relation seems to be more or less purely metaphoric, with little or no metonymic connection at all. On the level of meaning, the two stories may seem to form unities by operating in conjunction or parallel or in a more oppositional or dialectical relation. This paper outlines the different permutations of the two-story structure in a range of Powers’ books. It also explores what, if anything, may be seen as the left-over, that which remains unassimilated to artistic or thematic unity, in various novels – and, if that remainder can be identified, what it might signify.
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spelling doaj-art-404bb41658734de2a73c4b848760da502025-01-30T10:44:44ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662010-02-01210.4000/transatlantica.4510The Crumbling Two-Story Architecture of Richard Powers’ FictionsThomas B. ByersA prominent characteristic of Richard Powers’ technique is that his novels generally proceed by the alternating narration of two different stories. The relations of one story to another vary quite widely, however. On the diegetic level, the two may have a common protagonist, as in Galatea 2.2; or they may concern the different but circumstantially intersecting lives of disparate figures, as in The Echo Maker; or they may explore a possible chain of cause and effect, as in Gain. Most radically, in Plowing the Dark, their relation seems to be more or less purely metaphoric, with little or no metonymic connection at all. On the level of meaning, the two stories may seem to form unities by operating in conjunction or parallel or in a more oppositional or dialectical relation. This paper outlines the different permutations of the two-story structure in a range of Powers’ books. It also explores what, if anything, may be seen as the left-over, that which remains unassimilated to artistic or thematic unity, in various novels – and, if that remainder can be identified, what it might signify.https://journals.openedition.org/transatlantica/4510systemNarrative structureremainderlifeunitydisunity
spellingShingle Thomas B. Byers
The Crumbling Two-Story Architecture of Richard Powers’ Fictions
Transatlantica
system
Narrative structure
remainder
life
unity
disunity
title The Crumbling Two-Story Architecture of Richard Powers’ Fictions
title_full The Crumbling Two-Story Architecture of Richard Powers’ Fictions
title_fullStr The Crumbling Two-Story Architecture of Richard Powers’ Fictions
title_full_unstemmed The Crumbling Two-Story Architecture of Richard Powers’ Fictions
title_short The Crumbling Two-Story Architecture of Richard Powers’ Fictions
title_sort crumbling two story architecture of richard powers fictions
topic system
Narrative structure
remainder
life
unity
disunity
url https://journals.openedition.org/transatlantica/4510
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