Du terrain au Tour du monde : la fabrique du lointain
It is amusing to observe that the misappropriation of images, which has become so obvious and omnipresent in our daily lives, has a long history; it may be found from early twentieth century when one takes a look at the publications of the French illustrated press recounting the narratives of an exp...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2017-05-01
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| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cel/571 |
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| Summary: | It is amusing to observe that the misappropriation of images, which has become so obvious and omnipresent in our daily lives, has a long history; it may be found from early twentieth century when one takes a look at the publications of the French illustrated press recounting the narratives of an explorer of New Guinea. It is the story of Marquis de Cacqueray de Lorme, a bourgeois heir, who set off in 1895 to find the few French Catholic missionaries in New Guinea, the vast island largely unknown to Westerners. |
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| ISSN: | 2262-208X |