La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains

Afro-American poet Langston’s Hughes’s challenge to the "Negro artist" in 1926—to run away from "the race towards whiteness" and climb the "racial mountain" in order to "discover himself and his people" reverberated throughout the colonial and later postcoloni...

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Main Author: Marie-Jeanne Gauffre
Format: Article
Language:English
Published: Presses Universitaires du Midi 2008-05-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1311
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author Marie-Jeanne Gauffre
author_facet Marie-Jeanne Gauffre
author_sort Marie-Jeanne Gauffre
collection DOAJ
description Afro-American poet Langston’s Hughes’s challenge to the "Negro artist" in 1926—to run away from "the race towards whiteness" and climb the "racial mountain" in order to "discover himself and his people" reverberated throughout the colonial and later postcolonial world. Echoes of his plea have long been found in West African literary works concerned with restoring a positive image of the black self, but other "mountains" to be conquered have more recently come into view, especially in women’s writings. Two Ghanaian novels, Our Sister Killjoy or Reflections from a Black-Eyed Squint (1977), by Ama Ata Aidoo, and Beyond the Horizon (1995), by Amma Darko, illustrate some transformations of the issue raised by Hughes
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publisher Presses Universitaires du Midi
record_format Article
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spelling doaj-art-3e6de9c971904144a76919c156089c372025-01-30T12:33:50ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662008-05-012324525210.4000/caliban.1311La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporainsMarie-Jeanne GauffreAfro-American poet Langston’s Hughes’s challenge to the "Negro artist" in 1926—to run away from "the race towards whiteness" and climb the "racial mountain" in order to "discover himself and his people" reverberated throughout the colonial and later postcolonial world. Echoes of his plea have long been found in West African literary works concerned with restoring a positive image of the black self, but other "mountains" to be conquered have more recently come into view, especially in women’s writings. Two Ghanaian novels, Our Sister Killjoy or Reflections from a Black-Eyed Squint (1977), by Ama Ata Aidoo, and Beyond the Horizon (1995), by Amma Darko, illustrate some transformations of the issue raised by Hugheshttps://journals.openedition.org/acs/1311identitéAidooDarkoGhanaAfriqueEurope
spellingShingle Marie-Jeanne Gauffre
La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains
Anglophonia
identité
Aidoo
Darko
Ghana
Afrique
Europe
title La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains
title_full La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains
title_fullStr La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains
title_full_unstemmed La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains
title_short La « Montagne raciale » : et après ? Parcours identitaires dans deux romans ghanéens contemporains
title_sort la montagne raciale et apres parcours identitaires dans deux romans ghaneens contemporains
topic identité
Aidoo
Darko
Ghana
Afrique
Europe
url https://journals.openedition.org/acs/1311
work_keys_str_mv AT mariejeannegauffre lamontagneracialeetapresparcoursidentitairesdansdeuxromansghaneenscontemporains