A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert

If we want to consider Madame Bovary as an innovative work of art it is crucial to visualize Flaubert’s narrative strategy. The scholarship of Madame Bovary on film has scrutinized the many adaptations and how to relate them to the writing technique. Faithful versions rely on a ‘text-made-into-film’...

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Main Author: Franck Dalmas
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2014-11-01
Series:Flaubert: Revue Critique et Génétique
Online Access:https://journals.openedition.org/flaubert/2335
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author Franck Dalmas
author_facet Franck Dalmas
author_sort Franck Dalmas
collection DOAJ
description If we want to consider Madame Bovary as an innovative work of art it is crucial to visualize Flaubert’s narrative strategy. The scholarship of Madame Bovary on film has scrutinized the many adaptations and how to relate them to the writing technique. Faithful versions rely on a ‘text-made-into-film’ equivalence where Flaubert’s intentions are limited to the authentic context. This article deems a different cinematic approach with a film that has not received full attention: Ryan’s Daughter by David Lean. The impersonal narration and sensual expression of the novel are reassessed in light of this loose adaptation. The analysis of key scenes and characters is envisaged from a counterpointing angle while matching a subtle evocation of Flaubert’s style.
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institution Kabale University
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language fra
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publisher Institut des Textes & Manuscrits Modernes (ITEM)
record_format Article
series Flaubert: Revue Critique et Génétique
spelling doaj-art-3e6306caa1b24d82be577608cc1b2b442025-02-05T16:30:10ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912014-11-0110.4000/flaubert.2335A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of FlaubertFranck DalmasIf we want to consider Madame Bovary as an innovative work of art it is crucial to visualize Flaubert’s narrative strategy. The scholarship of Madame Bovary on film has scrutinized the many adaptations and how to relate them to the writing technique. Faithful versions rely on a ‘text-made-into-film’ equivalence where Flaubert’s intentions are limited to the authentic context. This article deems a different cinematic approach with a film that has not received full attention: Ryan’s Daughter by David Lean. The impersonal narration and sensual expression of the novel are reassessed in light of this loose adaptation. The analysis of key scenes and characters is envisaged from a counterpointing angle while matching a subtle evocation of Flaubert’s style.https://journals.openedition.org/flaubert/2335
spellingShingle Franck Dalmas
A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert
Flaubert: Revue Critique et Génétique
title A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert
title_full A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert
title_fullStr A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert
title_full_unstemmed A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert
title_short A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert
title_sort madame bovary s daughter david lean s visual transliteration of flaubert
url https://journals.openedition.org/flaubert/2335
work_keys_str_mv AT franckdalmas amadamebovarysdaughterdavidleansvisualtransliterationofflaubert
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