La part d’ombre d’un fonds photographique
Research, when applied to a collection, allows the collection’s various facets to be discovered. The example examined here allows us reconstitute the multiple levels of interpretation of a collection and the stage in the understanding of a personality, that of its creator. It is the collection of th...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2017-05-01
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| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cel/563 |
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| _version_ | 1832578424359616512 |
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| author | Aline Muller |
| author_facet | Aline Muller |
| author_sort | Aline Muller |
| collection | DOAJ |
| description | Research, when applied to a collection, allows the collection’s various facets to be discovered. The example examined here allows us reconstitute the multiple levels of interpretation of a collection and the stage in the understanding of a personality, that of its creator. It is the collection of the photographer Edgard Imbert, who went to Madagascar and Tonkin as a colonial officer in the early twentieth century. An amateur photographer, he made albums similar to travel memoirs. After comparing the supports, this apparent simplicity crumbles to reveal a dark side. |
| format | Article |
| id | doaj-art-3dc888956a484ccca2bd0553a5c78909 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2017-05-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-3dc888956a484ccca2bd0553a5c789092025-01-30T14:00:07ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2017-05-011010.4000/cel.563La part d’ombre d’un fonds photographiqueAline MullerResearch, when applied to a collection, allows the collection’s various facets to be discovered. The example examined here allows us reconstitute the multiple levels of interpretation of a collection and the stage in the understanding of a personality, that of its creator. It is the collection of the photographer Edgard Imbert, who went to Madagascar and Tonkin as a colonial officer in the early twentieth century. An amateur photographer, he made albums similar to travel memoirs. After comparing the supports, this apparent simplicity crumbles to reveal a dark side.https://journals.openedition.org/cel/563photographymilitarycolonyEdgard ImbertIndochinaexecution |
| spellingShingle | Aline Muller La part d’ombre d’un fonds photographique Les Cahiers de l'École du Louvre photography military colony Edgard Imbert Indochina execution |
| title | La part d’ombre d’un fonds photographique |
| title_full | La part d’ombre d’un fonds photographique |
| title_fullStr | La part d’ombre d’un fonds photographique |
| title_full_unstemmed | La part d’ombre d’un fonds photographique |
| title_short | La part d’ombre d’un fonds photographique |
| title_sort | la part d ombre d un fonds photographique |
| topic | photography military colony Edgard Imbert Indochina execution |
| url | https://journals.openedition.org/cel/563 |
| work_keys_str_mv | AT alinemuller lapartdombredunfondsphotographique |