« La peur du désir » : A Mummer’s Wife et Esther Waters de George Moore

Set amidst the blazing furnaces of an industrial city and the fogs and vapours of London, A Mummer’s Wife (1885) and Esther Waters (1894) mirror the fears generated by the ongoing and accelerated process of industrialization and urbanization that took place in Great Britain in the 19th century. In t...

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Main Author: Fabienne Gaspari
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2008-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/7987
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author Fabienne Gaspari
author_facet Fabienne Gaspari
author_sort Fabienne Gaspari
collection DOAJ
description Set amidst the blazing furnaces of an industrial city and the fogs and vapours of London, A Mummer’s Wife (1885) and Esther Waters (1894) mirror the fears generated by the ongoing and accelerated process of industrialization and urbanization that took place in Great Britain in the 19th century. In these novels, the images of the industrial and urban landscape, but also of the Victorian domestic scene, conveyed and filtered through the protagonists’ minds and bodies, contribute to the dramatization of their existential state. Literally consuming the characters and bringing the body—whose disorders are staged—to the fore, alcoholism and consumption echo the fires of industry and reveal a fear of desire which, according to Leo Bersani, characterizes Realism. Such fear—paradoxically both of excess and of exhaustion—leads to a form of retribution and to the expulsion (often synonymous with death) of the character who has gone beyond the pale.
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spelling doaj-art-3d2e01fdf42242aba7445aa8d262a1632025-01-30T10:22:18ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492008-12-016710.4000/cve.7987« La peur du désir » : A Mummer’s Wife et Esther Waters de George MooreFabienne GaspariSet amidst the blazing furnaces of an industrial city and the fogs and vapours of London, A Mummer’s Wife (1885) and Esther Waters (1894) mirror the fears generated by the ongoing and accelerated process of industrialization and urbanization that took place in Great Britain in the 19th century. In these novels, the images of the industrial and urban landscape, but also of the Victorian domestic scene, conveyed and filtered through the protagonists’ minds and bodies, contribute to the dramatization of their existential state. Literally consuming the characters and bringing the body—whose disorders are staged—to the fore, alcoholism and consumption echo the fires of industry and reveal a fear of desire which, according to Leo Bersani, characterizes Realism. Such fear—paradoxically both of excess and of exhaustion—leads to a form of retribution and to the expulsion (often synonymous with death) of the character who has gone beyond the pale.https://journals.openedition.org/cve/7987
spellingShingle Fabienne Gaspari
« La peur du désir » : A Mummer’s Wife et Esther Waters de George Moore
Cahiers Victoriens et Edouardiens
title « La peur du désir » : A Mummer’s Wife et Esther Waters de George Moore
title_full « La peur du désir » : A Mummer’s Wife et Esther Waters de George Moore
title_fullStr « La peur du désir » : A Mummer’s Wife et Esther Waters de George Moore
title_full_unstemmed « La peur du désir » : A Mummer’s Wife et Esther Waters de George Moore
title_short « La peur du désir » : A Mummer’s Wife et Esther Waters de George Moore
title_sort la peur du desir a mummer s wife et esther waters de george moore
url https://journals.openedition.org/cve/7987
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