Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving

Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving. The long debated problem of representation in Amerindian art discussed by Boas, Kroeber and Lévi-Strauss is reconsidered in this article through an ethnographic account of Kuna woodcarving. By analysing the makin...

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Main Author: Paolo Fortis
Format: Article
Language:English
Published: Société des américanistes 2012-07-01
Series:Journal de la Société des Américanistes
Subjects:
Online Access:https://journals.openedition.org/jsa/12119
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author Paolo Fortis
author_facet Paolo Fortis
author_sort Paolo Fortis
collection DOAJ
description Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving. The long debated problem of representation in Amerindian art discussed by Boas, Kroeber and Lévi-Strauss is reconsidered in this article through an ethnographic account of Kuna woodcarving. By analysing the making of wooden anthropomorphic figures and the Kuna exegesis of it, along with some comparative examples from other Amerindian societies, this article argues for an understanding of the sculptural representation of the human figure as an instantiation of alterity. Kuna wooden figures, it is argued, are metonymically related to soul images and instantiate the more general Amerindian principle of a continuity of souls behind a discontinuity of bodies. Explored through art the theme of alterity, both at the level of the person and the cosmological world, provides a framework to look at ideas of birth and death, and the centrality of kinship in the creation of human bodies.
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spelling doaj-art-3c25368af7504eb5a114cec9fec3cdaf2025-02-05T15:55:00ZengSociété des américanistesJournal de la Société des Américanistes0037-91741957-78422012-07-0198173710.4000/jsa.12119Images of person in an Amerindian society. An ethnographic account of Kuna woodcarvingPaolo FortisImages of person in an Amerindian society. An ethnographic account of Kuna woodcarving. The long debated problem of representation in Amerindian art discussed by Boas, Kroeber and Lévi-Strauss is reconsidered in this article through an ethnographic account of Kuna woodcarving. By analysing the making of wooden anthropomorphic figures and the Kuna exegesis of it, along with some comparative examples from other Amerindian societies, this article argues for an understanding of the sculptural representation of the human figure as an instantiation of alterity. Kuna wooden figures, it is argued, are metonymically related to soul images and instantiate the more general Amerindian principle of a continuity of souls behind a discontinuity of bodies. Explored through art the theme of alterity, both at the level of the person and the cosmological world, provides a framework to look at ideas of birth and death, and the centrality of kinship in the creation of human bodies.https://journals.openedition.org/jsa/12119deathartontologypersonhood
spellingShingle Paolo Fortis
Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving
Journal de la Société des Américanistes
death
art
ontology
personhood
title Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving
title_full Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving
title_fullStr Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving
title_full_unstemmed Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving
title_short Images of person in an Amerindian society. An ethnographic account of Kuna woodcarving
title_sort images of person in an amerindian society an ethnographic account of kuna woodcarving
topic death
art
ontology
personhood
url https://journals.openedition.org/jsa/12119
work_keys_str_mv AT paolofortis imagesofpersoninanamerindiansocietyanethnographicaccountofkunawoodcarving