Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe Corentin

While in the picture book Pipioli la terreur (2006), author Corentin dramatized his story, he dramatizes the act of reception in N'oublie pas de te laver les dents (2009). Reflecting on the border between fiction and reality, the author presents characters who become readers and then authors of...

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Main Author: Isabelle Lebrat
Format: Article
Language:fra
Published: Association Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE) 2013-09-01
Series:Strenae
Subjects:
Online Access:https://journals.openedition.org/strenae/982
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author Isabelle Lebrat
author_facet Isabelle Lebrat
author_sort Isabelle Lebrat
collection DOAJ
description While in the picture book Pipioli la terreur (2006), author Corentin dramatized his story, he dramatizes the act of reception in N'oublie pas de te laver les dents (2009). Reflecting on the border between fiction and reality, the author presents characters who become readers and then authors of their own story. By choosing to tell stories about people’s lives, by playing with points of view and multiplying voices, children's literature can become a wonderful place of experimentation. It is the very fact of the voices themselves, presented in the picture book, their tessitura and vibration, which allows us to listen to an inner experience. In N'oublie pas de te laver les dents, Corentin abandons his storytelling voice for a stereophonic exploration of existence. The author becomes a voice director: he makes us hear the tone that accompanies the word, a certain secret diction, an imperceptible gesture, a slight accentuation, and an oblique meaning.
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spelling doaj-art-39ffb4ad2f2d4eae9b63da04c5745b0d2025-08-20T01:56:09ZfraAssociation Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE)Strenae2109-90812013-09-01510.4000/strenae.982Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe CorentinIsabelle LebratWhile in the picture book Pipioli la terreur (2006), author Corentin dramatized his story, he dramatizes the act of reception in N'oublie pas de te laver les dents (2009). Reflecting on the border between fiction and reality, the author presents characters who become readers and then authors of their own story. By choosing to tell stories about people’s lives, by playing with points of view and multiplying voices, children's literature can become a wonderful place of experimentation. It is the very fact of the voices themselves, presented in the picture book, their tessitura and vibration, which allows us to listen to an inner experience. In N'oublie pas de te laver les dents, Corentin abandons his storytelling voice for a stereophonic exploration of existence. The author becomes a voice director: he makes us hear the tone that accompanies the word, a certain secret diction, an imperceptible gesture, a slight accentuation, and an oblique meaning.https://journals.openedition.org/strenae/982children’s literaturenarratorimaginationstorytellingmetafictionvoice
spellingShingle Isabelle Lebrat
Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe Corentin
Strenae
children’s literature
narrator
imagination
storytelling
metafiction
voice
title Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe Corentin
title_full Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe Corentin
title_fullStr Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe Corentin
title_full_unstemmed Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe Corentin
title_short Parole de l’imaginaire, imaginaire de la parole dans N’oublie pas de te laver les dents de Philippe Corentin
title_sort parole de l imaginaire imaginaire de la parole dans n oublie pas de te laver les dents de philippe corentin
topic children’s literature
narrator
imagination
storytelling
metafiction
voice
url https://journals.openedition.org/strenae/982
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