« Paysages avec figures absentes » : La peinture d’Elsa Maldiney
Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
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Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011-01-01
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| Series: | Projets de Paysage |
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| Online Access: | https://journals.openedition.org/paysage/21684 |
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| Summary: | Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from the last decade of the 20th century and since 2000, is the one of a purely abstract painting, of a coloured energy, of outbursts, ruptures, and meetings – in a word: the one of a field of tensions, which is rhythm. |
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| ISSN: | 1969-6124 |