Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"

The present study of the album Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century, includes commentaries on the conservation research, the album provenance, bibliographical information, acquisition; details of the conservation treatment: the binding, text block, and...

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Main Author: Malina Belcheva
Format: Article
Language:English
Published: Association CeROArt 2021-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/7138
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author Malina Belcheva
author_facet Malina Belcheva
author_sort Malina Belcheva
collection DOAJ
description The present study of the album Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century, includes commentaries on the conservation research, the album provenance, bibliographical information, acquisition; details of the conservation treatment: the binding, text block, and graphic works consolidation; and it underlines the conservation integration of the historical repairs through contemporary conservation materials applied for stabilization of the album condition and enhancement of the binding flexibility and solidity.
format Article
id doaj-art-363c3b23688844a69434f7d45572ea67
institution Kabale University
issn 1784-5092
language English
publishDate 2021-03-01
publisher Association CeROArt
record_format Article
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-363c3b23688844a69434f7d45572ea672025-01-30T14:14:08ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922021-03-011210.4000/ceroart.7138Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"Malina BelchevaThe present study of the album Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century, includes commentaries on the conservation research, the album provenance, bibliographical information, acquisition; details of the conservation treatment: the binding, text block, and graphic works consolidation; and it underlines the conservation integration of the historical repairs through contemporary conservation materials applied for stabilization of the album condition and enhancement of the binding flexibility and solidity.https://journals.openedition.org/ceroart/7138restorationconservationAnthony Van Dyckengravingiconographyremboîtage
spellingShingle Malina Belcheva
Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
restoration
conservation
Anthony Van Dyck
engraving
iconography
remboîtage
title Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
title_full Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
title_fullStr Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
title_full_unstemmed Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
title_short Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"
title_sort remboitage of a binding authenticity and conservation of fifty two plates engraved from portraits by van dyck and others 16th 17th century
topic restoration
conservation
Anthony Van Dyck
engraving
iconography
remboîtage
url https://journals.openedition.org/ceroart/7138
work_keys_str_mv AT malinabelcheva remboitageofabindingauthenticityandconservationoffiftytwoplatesengravedfromportraitsbyvandyckandothers16th17thcentury