« This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George Gissing

In The Nether World, published in 1889, Gissing portrays the squalid life of the working class in London through a very pessimistic vision of British society. The urban setting, which is used as a backdrop, also plays a crucial role in the creation of a universe akin to hell. The evocations of the l...

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Main Author: Fabienne Gaspari
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2010-06-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/2833
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author Fabienne Gaspari
author_facet Fabienne Gaspari
author_sort Fabienne Gaspari
collection DOAJ
description In The Nether World, published in 1889, Gissing portrays the squalid life of the working class in London through a very pessimistic vision of British society. The urban setting, which is used as a backdrop, also plays a crucial role in the creation of a universe akin to hell. The evocations of the landscape and of nature, which are rare but extremely efficient, therefore seem to serve the unfolding of a perfectly orchestrated narrative. Such evocations generate clusters of images which are first meant to convey some grim picture of reality but which also lead to a poetic and fleeting representation of the elements, a reverie on the « dung-heap » (a metaphor defining the naturalist novel) and on the flowers which grow from it.
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publisher Presses Universitaires de la Méditerranée
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-35efee9ffb26433b91d7c5a475368c082025-01-30T10:21:43ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492010-06-017111312610.4000/cve.2833« This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George GissingFabienne GaspariIn The Nether World, published in 1889, Gissing portrays the squalid life of the working class in London through a very pessimistic vision of British society. The urban setting, which is used as a backdrop, also plays a crucial role in the creation of a universe akin to hell. The evocations of the landscape and of nature, which are rare but extremely efficient, therefore seem to serve the unfolding of a perfectly orchestrated narrative. Such evocations generate clusters of images which are first meant to convey some grim picture of reality but which also lead to a poetic and fleeting representation of the elements, a reverie on the « dung-heap » (a metaphor defining the naturalist novel) and on the flowers which grow from it.https://journals.openedition.org/cve/2833
spellingShingle Fabienne Gaspari
« This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George Gissing
Cahiers Victoriens et Edouardiens
title « This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George Gissing
title_full « This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George Gissing
title_fullStr « This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George Gissing
title_full_unstemmed « This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George Gissing
title_short « This is Hell – Hell - Hell ! » : les éléments dans The Nether World de George Gissing
title_sort this is hell hell hell les elements dans the nether world de george gissing
url https://journals.openedition.org/cve/2833
work_keys_str_mv AT fabiennegaspari thisishellhellhellleselementsdansthenetherworlddegeorgegissing