Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesis

The endless poetic legacy of Nicanor Parra starts with the antipoetry and, in parallel, dissolves the figure of the self, to be substituted by a succession of masquerades: the neutral subject, the madman, and the pragmatic poet bricoleur that accompanies the dissolution of identity. The creation of...

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Main Author: Jorge Monteleone
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2021-12-01
Series:Cuadernos LIRICO
Subjects:
Online Access:https://journals.openedition.org/lirico/11909
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author Jorge Monteleone
author_facet Jorge Monteleone
author_sort Jorge Monteleone
collection DOAJ
description The endless poetic legacy of Nicanor Parra starts with the antipoetry and, in parallel, dissolves the figure of the self, to be substituted by a succession of masquerades: the neutral subject, the madman, and the pragmatic poet bricoleur that accompanies the dissolution of identity. The creation of the artefacts is the first symptom of an outbreak which pursues an increasing process of spatialization which goes from his visual poems to the objectual poems, that are, in their way, a tribute to Duchamp´s readymade. The combinatory praxis of Nicanor Parra´s poetic art and his artefacts show continuities with the work of three Argentine poets which belong to three generations: César Fernández Mofreno´s ambages, Esteban Peicovich´s poemas plagiados, and Mario Ortiz´ Tratado de Iconogénesis. The liberating character of Nicanor Parra´s poetic practices extend their revolutionary legacy to the XXI Century in written poetry in Spanish language.  
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spelling doaj-art-33ce0b1c20d34d61a4d9f62f9f2cf09c2025-08-20T02:36:15ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392021-12-012310.4000/lirico.11909Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesisJorge MonteleoneThe endless poetic legacy of Nicanor Parra starts with the antipoetry and, in parallel, dissolves the figure of the self, to be substituted by a succession of masquerades: the neutral subject, the madman, and the pragmatic poet bricoleur that accompanies the dissolution of identity. The creation of the artefacts is the first symptom of an outbreak which pursues an increasing process of spatialization which goes from his visual poems to the objectual poems, that are, in their way, a tribute to Duchamp´s readymade. The combinatory praxis of Nicanor Parra´s poetic art and his artefacts show continuities with the work of three Argentine poets which belong to three generations: César Fernández Mofreno´s ambages, Esteban Peicovich´s poemas plagiados, and Mario Ortiz´ Tratado de Iconogénesis. The liberating character of Nicanor Parra´s poetic practices extend their revolutionary legacy to the XXI Century in written poetry in Spanish language.  https://journals.openedition.org/lirico/11909 PoetryArtefactsVisual Poemsbricolage  
spellingShingle Jorge Monteleone
Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesis
Cuadernos LIRICO
 Poetry
Artefacts
Visual Poems
bricolage  
title Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesis
title_full Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesis
title_fullStr Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesis
title_full_unstemmed Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesis
title_short Ecuaciones delictivas: artefactos, ambages, poemas plagiados, iconogénesis
title_sort ecuaciones delictivas artefactos ambages poemas plagiados iconogenesis
topic  Poetry
Artefacts
Visual Poems
bricolage  
url https://journals.openedition.org/lirico/11909
work_keys_str_mv AT jorgemonteleone ecuacionesdelictivasartefactosambagespoemasplagiadosiconogenesis