Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915)
In putting together a collection that would comprise 1,606 postcards, the Neurdein brothers were responding to a request by the Musée de Sculpture Comparée which attested that, beyond its tourist function, the postcard was envisaged by the director, Camille Enlart, as a real instrument for the diffu...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2014-04-01
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| Series: | Les Cahiers de l'École du Louvre |
| Online Access: | https://journals.openedition.org/cel/476 |
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| _version_ | 1832578421415215104 |
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| author | Dominique Jarrassé Emmanuelle Polack |
| author_facet | Dominique Jarrassé Emmanuelle Polack |
| author_sort | Dominique Jarrassé |
| collection | DOAJ |
| description | In putting together a collection that would comprise 1,606 postcards, the Neurdein brothers were responding to a request by the Musée de Sculpture Comparée which attested that, beyond its tourist function, the postcard was envisaged by the director, Camille Enlart, as a real instrument for the diffusion of knowledge and the management of the cast collection, or even as a miniature encyclopedia of the history of sculpture. Using archival materials, the authors reconstitute the negotiations that gave rise to this collection and examine its implications: a new visual culture was being built, each card offering a specific point of view (general views, detailed or cut-out works, clever captions, as well as errors). Beyond the patrimonialisation of this exceptional collection, the article focuses on the first series of 486 cards organised chronologically and proposes an analysis of the intrusion of this medium, during its “golden age”, into the art historian’s studio. |
| format | Article |
| id | doaj-art-2bb623395bb84f2cbd664438ef98b896 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2014-04-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-2bb623395bb84f2cbd664438ef98b8962025-01-30T13:59:59ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2014-04-01410.4000/cel.476Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915)Dominique JarrasséEmmanuelle PolackIn putting together a collection that would comprise 1,606 postcards, the Neurdein brothers were responding to a request by the Musée de Sculpture Comparée which attested that, beyond its tourist function, the postcard was envisaged by the director, Camille Enlart, as a real instrument for the diffusion of knowledge and the management of the cast collection, or even as a miniature encyclopedia of the history of sculpture. Using archival materials, the authors reconstitute the negotiations that gave rise to this collection and examine its implications: a new visual culture was being built, each card offering a specific point of view (general views, detailed or cut-out works, clever captions, as well as errors). Beyond the patrimonialisation of this exceptional collection, the article focuses on the first series of 486 cards organised chronologically and proposes an analysis of the intrusion of this medium, during its “golden age”, into the art historian’s studio.https://journals.openedition.org/cel/476 |
| spellingShingle | Dominique Jarrassé Emmanuelle Polack Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915) Les Cahiers de l'École du Louvre |
| title | Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915) |
| title_full | Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915) |
| title_fullStr | Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915) |
| title_full_unstemmed | Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915) |
| title_short | Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915) |
| title_sort | le musee de sculpture comparee au prisme de la collection de cartes postales editees par les freres neurdein 1904 1915 |
| url | https://journals.openedition.org/cel/476 |
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