Artifice and Medium-Specific Art: Poetry Performance and Film
This paper presents a digital artefact (trailer and DVD) made out of the film archive of poet Jerome Rothenberg’s performance-conferences given at the Sorbonne and at the ENS-LSH in November 2005. The editing work undertaken with film artist Meryem De Lagarde led to a clearer understanding of issues...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2009-12-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/1928 |
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| _version_ | 1832578486250766336 |
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| author | Geneviève Cohen-Cheminet |
| author_facet | Geneviève Cohen-Cheminet |
| author_sort | Geneviève Cohen-Cheminet |
| collection | DOAJ |
| description | This paper presents a digital artefact (trailer and DVD) made out of the film archive of poet Jerome Rothenberg’s performance-conferences given at the Sorbonne and at the ENS-LSH in November 2005. The editing work undertaken with film artist Meryem De Lagarde led to a clearer understanding of issues of remediation, immediacy and hypermediacy, from the oppositional, Modernist legacy of artifice to the contemporary awareness of our collective, compliant fascination with images. Finally, editing raised issues of poetry film as genre, of medium-specific arts and of critical art. |
| format | Article |
| id | doaj-art-2b2e7d49cd12476684f45b0c34ed11ef |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2009-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-2b2e7d49cd12476684f45b0c34ed11ef2025-01-30T13:48:21ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022009-12-011010.4000/sillagescritiques.1928Artifice and Medium-Specific Art: Poetry Performance and FilmGeneviève Cohen-CheminetThis paper presents a digital artefact (trailer and DVD) made out of the film archive of poet Jerome Rothenberg’s performance-conferences given at the Sorbonne and at the ENS-LSH in November 2005. The editing work undertaken with film artist Meryem De Lagarde led to a clearer understanding of issues of remediation, immediacy and hypermediacy, from the oppositional, Modernist legacy of artifice to the contemporary awareness of our collective, compliant fascination with images. Finally, editing raised issues of poetry film as genre, of medium-specific arts and of critical art.https://journals.openedition.org/sillagescritiques/1928performanceartificeDouble Changeartefactmedium specificityremediation |
| spellingShingle | Geneviève Cohen-Cheminet Artifice and Medium-Specific Art: Poetry Performance and Film Sillages Critiques performance artifice Double Change artefact medium specificity remediation |
| title | Artifice and Medium-Specific Art: Poetry Performance and Film |
| title_full | Artifice and Medium-Specific Art: Poetry Performance and Film |
| title_fullStr | Artifice and Medium-Specific Art: Poetry Performance and Film |
| title_full_unstemmed | Artifice and Medium-Specific Art: Poetry Performance and Film |
| title_short | Artifice and Medium-Specific Art: Poetry Performance and Film |
| title_sort | artifice and medium specific art poetry performance and film |
| topic | performance artifice Double Change artefact medium specificity remediation |
| url | https://journals.openedition.org/sillagescritiques/1928 |
| work_keys_str_mv | AT genevievecohencheminet artificeandmediumspecificartpoetryperformanceandfilm |