La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire
Among the adaptations of La Tentation de saint Antoine de Flaubert, the one made by Henri Rivière deserves special attention. « Féerie à grand spectacle en 2 actes et 40 tableaux », La Tentation for the shadow theatre (1887) is a composite show that blended the visual component with the music (origi...
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| Format: | Article |
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Institut des Textes & Manuscrits Modernes (ITEM)
2019-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
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| Online Access: | https://journals.openedition.org/flaubert/3586 |
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| author | Michela Niccolai |
| author_facet | Michela Niccolai |
| author_sort | Michela Niccolai |
| collection | DOAJ |
| description | Among the adaptations of La Tentation de saint Antoine de Flaubert, the one made by Henri Rivière deserves special attention. « Féerie à grand spectacle en 2 actes et 40 tableaux », La Tentation for the shadow theatre (1887) is a composite show that blended the visual component with the music (original and arranged by Albert Tinchant and Georges Fragerolle) inside a fixed device where the evocative appearance of the paintings carried the viewer into a mystical universe. The music plays a central role because, in the absence of a text, it must be narrated, so that known tunes, drawn from operas, operettas and café-concert, often used with a parodic sense, alternate with original music composed by Tinchant and Fragerolle. La Tentation de Saint-Antoine is the first true shadow show at the Chat Noir, opening a multidisciplinary collaboration that occurs during the play’s genesis and also during the performance on stage. |
| format | Article |
| id | doaj-art-2a8ed1045ca14f54a7d0a99334347fcc |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2019-06-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-2a8ed1045ca14f54a7d0a99334347fcc2025-02-05T16:29:42ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912019-06-012110.4000/flaubert.3586La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaireMichela NiccolaiAmong the adaptations of La Tentation de saint Antoine de Flaubert, the one made by Henri Rivière deserves special attention. « Féerie à grand spectacle en 2 actes et 40 tableaux », La Tentation for the shadow theatre (1887) is a composite show that blended the visual component with the music (original and arranged by Albert Tinchant and Georges Fragerolle) inside a fixed device where the evocative appearance of the paintings carried the viewer into a mystical universe. The music plays a central role because, in the absence of a text, it must be narrated, so that known tunes, drawn from operas, operettas and café-concert, often used with a parodic sense, alternate with original music composed by Tinchant and Fragerolle. La Tentation de Saint-Antoine is the first true shadow show at the Chat Noir, opening a multidisciplinary collaboration that occurs during the play’s genesis and also during the performance on stage.https://journals.openedition.org/flaubert/3586parodiemusiquethéâtre d’ombresChat NoirRivière |
| spellingShingle | Michela Niccolai La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire Flaubert: Revue Critique et Génétique parodie musique théâtre d’ombres Chat Noir Rivière |
| title | La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire |
| title_full | La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire |
| title_fullStr | La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire |
| title_full_unstemmed | La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire |
| title_short | La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire |
| title_sort | la tentation de saint antoine au chat noir un exemple de collaboration multidisciplinaire |
| topic | parodie musique théâtre d’ombres Chat Noir Rivière |
| url | https://journals.openedition.org/flaubert/3586 |
| work_keys_str_mv | AT michelaniccolai latentationdesaintantoineauchatnoirunexempledecollaborationmultidisciplinaire |