Techniques of Melody Formation and Improvisation in Latvian Recitatives
The documentary material available for the study of recitatives (the dominant style of the older layer of Latvian folk song) mainly consists of field transcriptions from the late 19th and the first half of the 20th century. The material is fragmentary, although some of it when adequately read provid...
Saved in:
| Main Author: | Boiko Martin |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Sciendo
2025-06-01
|
| Series: | Journal of Ethnology and Folkloristics |
| Subjects: | |
| Online Access: | https://doi.org/10.2478/jef-2025-0007 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Context-Related Melodies in Oral Culture: An Attempt to Describe Words-and-Music Relationships in Local Singing Tradition
by: Taive Särg
Published: (2011-03-01) -
PSALM SINGING IN TRANSYLVANIA
by: Éva PÉTER
Published: (2011-12-01) -
Word-Formation Pattern Borrowing in Latvian
by: Andrejs Veisbergs
Published: (2018-06-01) -
Allsang i arbeiderbevegelsen
by: Knut Kjeldstadli
Published: (2018-01-01) -
Technology of Forming Future Teachers’ Readiness for Pedagogical Improvisation
by: Olha Bashkir, et al.
Published: (2021-03-01)