De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov

References to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. Framing and pictorial devices allow the narrator to highlight significant epis...

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Main Author: Laure de Nervaux-Gavoty
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2013-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/3415
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author Laure de Nervaux-Gavoty
author_facet Laure de Nervaux-Gavoty
author_sort Laure de Nervaux-Gavoty
collection DOAJ
description References to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. Framing and pictorial devices allow the narrator to highlight significant episodes and salvage them from the flow of time while allusions to photography invite the reader to analyze the complex dialectic of light and darkness, and awareness and oblivion at work in the emergence of memories. Nabokov’s prismatic and reflexive aesthetic, lastly, is at the heart of a process of decomposition and transmutation which blurs the boundaries of truth and fiction and tries to come to terms with loss by performing a literary form of grief work.
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publisher Centre de Recherche "Texte et Critique de Texte"
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series Sillages Critiques
spelling doaj-art-280e57bb39304ddcb4b3cb43656bdfc42025-01-30T13:47:57ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-12-011710.4000/sillagescritiques.3415De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir NabokovLaure de Nervaux-GavotyReferences to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. Framing and pictorial devices allow the narrator to highlight significant episodes and salvage them from the flow of time while allusions to photography invite the reader to analyze the complex dialectic of light and darkness, and awareness and oblivion at work in the emergence of memories. Nabokov’s prismatic and reflexive aesthetic, lastly, is at the heart of a process of decomposition and transmutation which blurs the boundaries of truth and fiction and tries to come to terms with loss by performing a literary form of grief work.https://journals.openedition.org/sillagescritiques/3415intertextualityphotographyProustautobiographymemorydetail
spellingShingle Laure de Nervaux-Gavoty
De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
Sillages Critiques
intertextuality
photography
Proust
autobiography
memory
detail
title De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_full De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_fullStr De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_full_unstemmed De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_short De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_sort de l exposition a la decomposition prismatique art de la memoire et arts visuels dans speak memory de vladimir nabokov
topic intertextuality
photography
Proust
autobiography
memory
detail
url https://journals.openedition.org/sillagescritiques/3415
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