Transformations of the Evil Forest in the Swedish Television Series Jordskott

This article is an ecocritical reading of the Swedish television series Jordskott. I discuss the effects in the series produced by the combination of the Nordic Noir's style and narrative techniques with elements of other genres, especially Gothic horror. I argue that through the contemporary r...

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Main Author: Souch Irina
Format: Article
Language:English
Published: Sciendo 2020-09-01
Series:Nordicom Review
Subjects:
Online Access:https://doi.org/10.2478/nor-2020-0011
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author Souch Irina
author_facet Souch Irina
author_sort Souch Irina
collection DOAJ
description This article is an ecocritical reading of the Swedish television series Jordskott. I discuss the effects in the series produced by the combination of the Nordic Noir's style and narrative techniques with elements of other genres, especially Gothic horror. I argue that through the contemporary reworking of the centuries-old Nordic mythology, Jordskott demonstrates how the aggressive powers of nature in Gothic narratives can no more be conventionally explained by referring to the pagan, pre-Christian beliefs, but need to be reconceived in light of the relentless environmental devastation brought about by humankind. The link unveiled between natural ecology and cultural mythology allows the series to surpass the limitations of the regionally informed folkloric story and to evolve into an ecological cautionary tale of global significance.
format Article
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institution Kabale University
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language English
publishDate 2020-09-01
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series Nordicom Review
spelling doaj-art-2709718e71224f25abd4c8a3b4d307c92025-02-02T15:48:50ZengSciendoNordicom Review2001-51192020-09-0141s110712210.2478/nor-2020-0011Transformations of the Evil Forest in the Swedish Television Series JordskottSouch Irina0Department of Modern Foreign Languages and Cultures, University of Amsterdam, The NetherlandsThis article is an ecocritical reading of the Swedish television series Jordskott. I discuss the effects in the series produced by the combination of the Nordic Noir's style and narrative techniques with elements of other genres, especially Gothic horror. I argue that through the contemporary reworking of the centuries-old Nordic mythology, Jordskott demonstrates how the aggressive powers of nature in Gothic narratives can no more be conventionally explained by referring to the pagan, pre-Christian beliefs, but need to be reconceived in light of the relentless environmental devastation brought about by humankind. The link unveiled between natural ecology and cultural mythology allows the series to surpass the limitations of the regionally informed folkloric story and to evolve into an ecological cautionary tale of global significance.https://doi.org/10.2478/nor-2020-0011environmental criticismecogothicserial televisionfantasyjordskott
spellingShingle Souch Irina
Transformations of the Evil Forest in the Swedish Television Series Jordskott
Nordicom Review
environmental criticism
ecogothic
serial television
fantasy
jordskott
title Transformations of the Evil Forest in the Swedish Television Series Jordskott
title_full Transformations of the Evil Forest in the Swedish Television Series Jordskott
title_fullStr Transformations of the Evil Forest in the Swedish Television Series Jordskott
title_full_unstemmed Transformations of the Evil Forest in the Swedish Television Series Jordskott
title_short Transformations of the Evil Forest in the Swedish Television Series Jordskott
title_sort transformations of the evil forest in the swedish television series jordskott
topic environmental criticism
ecogothic
serial television
fantasy
jordskott
url https://doi.org/10.2478/nor-2020-0011
work_keys_str_mv AT souchirina transformationsoftheevilforestintheswedishtelevisionseriesjordskott