The Grace Machine: Of Turns, Wheels and Limbs

The following essay revolves around the notion of the figure and its relationship with grace. The figure, both object and event, is posited as what emerges in what is called ‘the gap between habit and inhabitation’. The essay is structured in three parts that each contribute to the argument that hab...

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Main Author: Lars Spuybroek
Format: Article
Language:English
Published: TU Delft OPEN Publishing 2018-04-01
Series:Footprint
Online Access:https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/1971
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author Lars Spuybroek
author_facet Lars Spuybroek
author_sort Lars Spuybroek
collection DOAJ
description The following essay revolves around the notion of the figure and its relationship with grace. The figure, both object and event, is posited as what emerges in what is called ‘the gap between habit and inhabitation’. The essay is structured in three parts that each contribute to the argument that habit and inhabitation are part of the ancient structure of grace, which extends to many domains such as religion, economy and art, but above all to technology. The first part establishes the concept of grace within gift exchange where the aesthetics of gracefulness is not defined by gesture or action, but by the combination of a cyclical rhythm and the verticality of stance. The second part restructures the cycle as one of habit, linking our relationship with technology to gift exchange, while developing the central argument of grace as a machine. The final and third part expands the role of play and mimesis in the functioning of the grace machine while defining the gap between habit and inhabitation as a double gap, consisting of a temporal axis that leads from habit to the figure of grace, which again is suspended between object and field on the spatial axis.
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institution Kabale University
issn 1875-1504
1875-1490
language English
publishDate 2018-04-01
publisher TU Delft OPEN Publishing
record_format Article
series Footprint
spelling doaj-art-263926d3b3984e79b4b11a29282184922025-02-03T05:58:04ZengTU Delft OPEN PublishingFootprint1875-15041875-14902018-04-0112110.7480/footprint.12.1.19711971The Grace Machine: Of Turns, Wheels and LimbsLars Spuybroek0Georgia Institute of Technology, ArchitectureThe following essay revolves around the notion of the figure and its relationship with grace. The figure, both object and event, is posited as what emerges in what is called ‘the gap between habit and inhabitation’. The essay is structured in three parts that each contribute to the argument that habit and inhabitation are part of the ancient structure of grace, which extends to many domains such as religion, economy and art, but above all to technology. The first part establishes the concept of grace within gift exchange where the aesthetics of gracefulness is not defined by gesture or action, but by the combination of a cyclical rhythm and the verticality of stance. The second part restructures the cycle as one of habit, linking our relationship with technology to gift exchange, while developing the central argument of grace as a machine. The final and third part expands the role of play and mimesis in the functioning of the grace machine while defining the gap between habit and inhabitation as a double gap, consisting of a temporal axis that leads from habit to the figure of grace, which again is suspended between object and field on the spatial axis.https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/1971
spellingShingle Lars Spuybroek
The Grace Machine: Of Turns, Wheels and Limbs
Footprint
title The Grace Machine: Of Turns, Wheels and Limbs
title_full The Grace Machine: Of Turns, Wheels and Limbs
title_fullStr The Grace Machine: Of Turns, Wheels and Limbs
title_full_unstemmed The Grace Machine: Of Turns, Wheels and Limbs
title_short The Grace Machine: Of Turns, Wheels and Limbs
title_sort grace machine of turns wheels and limbs
url https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/1971
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