Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance

Ernest Pignon-Ernest is a French contemporary artist whose technique consists in printing his (black and white pencils, pen and ink) drawings after great masters (particularly Baroque ones like Caravaggio, but not only) and to stick them up at night on city walls. Thus he left his silkscreen drawing...

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Main Author: Liliane Louvel
Format: Article
Language:English
Published: Presses Universitaires du Midi 2009-12-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1776
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author Liliane Louvel
author_facet Liliane Louvel
author_sort Liliane Louvel
collection DOAJ
description Ernest Pignon-Ernest is a French contemporary artist whose technique consists in printing his (black and white pencils, pen and ink) drawings after great masters (particularly Baroque ones like Caravaggio, but not only) and to stick them up at night on city walls. Thus he left his silkscreen drawings on the walls of Naples, Paris, Soweto, Charleroi, as so many posters meant to shock and make the inhabitants react to some social concern. For his is also a form of committed art; he defended women’s right to abortion, the rights of immigrants, and reinscribed the dead bodies of Les Communards on the stairs of Montmartre. He also "intervened" in Soweto and in Algiers. Cities thus double as necessary backgrounds to the prints. But first and foremost his art is fascinating and his technique absolutely perfect.
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institution Kabale University
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publishDate 2009-12-01
publisher Presses Universitaires du Midi
record_format Article
series Anglophonia
spelling doaj-art-25225e02a69f4293b51b77358b25d6092025-01-30T12:34:13ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662009-12-012550151210.4000/caliban.1776Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvranceLiliane LouvelErnest Pignon-Ernest is a French contemporary artist whose technique consists in printing his (black and white pencils, pen and ink) drawings after great masters (particularly Baroque ones like Caravaggio, but not only) and to stick them up at night on city walls. Thus he left his silkscreen drawings on the walls of Naples, Paris, Soweto, Charleroi, as so many posters meant to shock and make the inhabitants react to some social concern. For his is also a form of committed art; he defended women’s right to abortion, the rights of immigrants, and reinscribed the dead bodies of Les Communards on the stairs of Montmartre. He also "intervened" in Soweto and in Algiers. Cities thus double as necessary backgrounds to the prints. But first and foremost his art is fascinating and his technique absolutely perfect.https://journals.openedition.org/acs/1776installationrecouvrancecartographieNaplessérigraphiespectralité
spellingShingle Liliane Louvel
Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance
Anglophonia
installation
recouvrance
cartographie
Naples
sérigraphie
spectralité
title Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance
title_full Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance
title_fullStr Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance
title_full_unstemmed Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance
title_short Suaires de papier : Ernest Pignon-Ernest. Interventions et recouvrance
title_sort suaires de papier ernest pignon ernest interventions et recouvrance
topic installation
recouvrance
cartographie
Naples
sérigraphie
spectralité
url https://journals.openedition.org/acs/1776
work_keys_str_mv AT lilianelouvel suairesdepapierernestpignonernestinterventionsetrecouvrance