„Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss

The article examines a series of serigraphs by American artist Sarah Charlesworth, titled Tabula Rasa, created in 1981, and analyses them in the context of the artistic medium. The serigraphs by Charlesworth, who is associated with the Pictures Generation movement, challenge the semiotic interpretat...

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Main Author: Filip Pręgowski
Format: Article
Language:English
Published: Wydawnictwo Uniwersytetu Wrocławskiego 2025-02-01
Series:Quart
Subjects:
Online Access:https://wuwr.pl/quart/article/view/17770
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author Filip Pręgowski
author_facet Filip Pręgowski
author_sort Filip Pręgowski
collection DOAJ
description The article examines a series of serigraphs by American artist Sarah Charlesworth, titled Tabula Rasa, created in 1981, and analyses them in the context of the artistic medium. The serigraphs by Charlesworth, who is associated with the Pictures Generation movement, challenge the semiotic interpretation of images as carriers of ideological messages or allegorical structures, a perspective commonly held by critics from the Pictures circle. Earlier works by the artist, referenced in the article, can also be read through this lens. Due to its reinterpretation of Joseph Nicéphore Niépce’s 1832 or 1833 photograph of a set table, which is shrouded in uncertainty and ambiguity, Tabula Rasa prompts a reconsideration of the artistic medium and its contested status in the context of the so-called post-medium era. The primary point of reference for these considerations are the writings of American “October” journal critic Rosalind E. Krauss, particularly her book Under Blue Cup (2011).
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language English
publishDate 2025-02-01
publisher Wydawnictwo Uniwersytetu Wrocławskiego
record_format Article
series Quart
spelling doaj-art-2471552382084020b95156e6f21b9b982025-02-04T07:58:41ZengWydawnictwo Uniwersytetu WrocławskiegoQuart1896-41332449-92852025-02-014(74)244210.19195/2449-9285.74.419539„Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. KraussFilip Pręgowskihttps://orcid.org/0000-0001-5901-0201The article examines a series of serigraphs by American artist Sarah Charlesworth, titled Tabula Rasa, created in 1981, and analyses them in the context of the artistic medium. The serigraphs by Charlesworth, who is associated with the Pictures Generation movement, challenge the semiotic interpretation of images as carriers of ideological messages or allegorical structures, a perspective commonly held by critics from the Pictures circle. Earlier works by the artist, referenced in the article, can also be read through this lens. Due to its reinterpretation of Joseph Nicéphore Niépce’s 1832 or 1833 photograph of a set table, which is shrouded in uncertainty and ambiguity, Tabula Rasa prompts a reconsideration of the artistic medium and its contested status in the context of the so-called post-medium era. The primary point of reference for these considerations are the writings of American “October” journal critic Rosalind E. Krauss, particularly her book Under Blue Cup (2011).https://wuwr.pl/quart/article/view/17770sarah charlesworthrosalind e. kraussmediumjoseph nicephore niépcefotografia
spellingShingle Filip Pręgowski
„Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss
Quart
sarah charlesworth
rosalind e. krauss
medium
joseph nicephore niépce
fotografia
title „Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss
title_full „Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss
title_fullStr „Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss
title_full_unstemmed „Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss
title_short „Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss
title_sort tabula rasa o medium i pamieci w odniesieniu do tworczosci sarah charlesworth i pism rosalind e krauss
topic sarah charlesworth
rosalind e. krauss
medium
joseph nicephore niépce
fotografia
url https://wuwr.pl/quart/article/view/17770
work_keys_str_mv AT filippregowski tabularasaomediumipamieciwodniesieniudotworczoscisarahcharlesworthipismrosalindekrauss