The Dividing Sword: Basil Bunting’s The Spoils

The late celebrity of Briggflatts has tended to subsume the body of Basil Bunting’s poetry into that poem’s themes and expectations and obscured the underlying assumptions that motivate his work. This is his extreme rejection of modernity – manifest in a money economy, the administered state and abs...

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Main Author: Jeffrey Twitchell-Waas
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2023-11-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/15314
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author Jeffrey Twitchell-Waas
author_facet Jeffrey Twitchell-Waas
author_sort Jeffrey Twitchell-Waas
collection DOAJ
description The late celebrity of Briggflatts has tended to subsume the body of Basil Bunting’s poetry into that poem’s themes and expectations and obscured the underlying assumptions that motivate his work. This is his extreme rejection of modernity – manifest in a money economy, the administered state and abstract thought – to which Bunting reacted by adopting an anti-humanist stance that determines both the form and content of his poetry. The basic terms of this position are preliminarily examined in a handful of early short poems, followed by a close reading of The Spoils – a poem that seems to baffle most commentators but represents Bunting’s most trenchant expression of his values and world view. Finally, the implications of this examination are brought to bear on Briggflatts itself to indicate how it is motivated by a systematic negation of the contemporary society that Bunting rejects.
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language English
publishDate 2023-11-01
publisher Centre de Recherche "Texte et Critique de Texte"
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spelling doaj-art-246f80d8b4a24e6da46bd41af37461bb2025-01-30T13:47:50ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022023-11-013510.4000/sillagescritiques.15314The Dividing Sword: Basil Bunting’s The SpoilsJeffrey Twitchell-WaasThe late celebrity of Briggflatts has tended to subsume the body of Basil Bunting’s poetry into that poem’s themes and expectations and obscured the underlying assumptions that motivate his work. This is his extreme rejection of modernity – manifest in a money economy, the administered state and abstract thought – to which Bunting reacted by adopting an anti-humanist stance that determines both the form and content of his poetry. The basic terms of this position are preliminarily examined in a handful of early short poems, followed by a close reading of The Spoils – a poem that seems to baffle most commentators but represents Bunting’s most trenchant expression of his values and world view. Finally, the implications of this examination are brought to bear on Briggflatts itself to indicate how it is motivated by a systematic negation of the contemporary society that Bunting rejects.https://journals.openedition.org/sillagescritiques/15314Bunting (Basil)OdesThe SpoilsBriggflattsanti-modernityanti-humanism
spellingShingle Jeffrey Twitchell-Waas
The Dividing Sword: Basil Bunting’s The Spoils
Sillages Critiques
Bunting (Basil)
Odes
The Spoils
Briggflatts
anti-modernity
anti-humanism
title The Dividing Sword: Basil Bunting’s The Spoils
title_full The Dividing Sword: Basil Bunting’s The Spoils
title_fullStr The Dividing Sword: Basil Bunting’s The Spoils
title_full_unstemmed The Dividing Sword: Basil Bunting’s The Spoils
title_short The Dividing Sword: Basil Bunting’s The Spoils
title_sort dividing sword basil bunting s the spoils
topic Bunting (Basil)
Odes
The Spoils
Briggflatts
anti-modernity
anti-humanism
url https://journals.openedition.org/sillagescritiques/15314
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