Faire voir l'Orient : réflexion sur un artifice victorien
As part of the Western construction of an Eastern myth, painting was very soon mobilized to support written texts, so as to offer images which now appear to be more informative on their creators (and on their audiences) than on the realities they claimed to document. One of the “imposed figures”of t...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2009-12-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/1984 |
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| _version_ | 1832578484417855488 |
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| author | Laurent Bury |
| author_facet | Laurent Bury |
| author_sort | Laurent Bury |
| collection | DOAJ |
| description | As part of the Western construction of an Eastern myth, painting was very soon mobilized to support written texts, so as to offer images which now appear to be more informative on their creators (and on their audiences) than on the realities they claimed to document. One of the “imposed figures”of the extended Grand Tour, the harem, was painted by J.F. Lewis and photographed by R. Fenton, whose works clearly reveal the artificiality of their subject. Victorian Orientalism also implied a “re-orientalisation” of the Christian myth; artists as diverse as David Wilkie or William Holman Hunt were motivated by their quest for authenticity, even though the racist prejudice then prevalent had to be taken into account. A vision of the East was thus elaborated to fit the expectations of the public, a vision that was aesthetically more satisfactory than would have been a faithful reproduction of reality. |
| format | Article |
| id | doaj-art-220e7ca079274de696d31b7c2238cf70 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2009-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-220e7ca079274de696d31b7c2238cf702025-01-30T13:48:21ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022009-12-011010.4000/sillagescritiques.1984Faire voir l'Orient : réflexion sur un artifice victorienLaurent BuryAs part of the Western construction of an Eastern myth, painting was very soon mobilized to support written texts, so as to offer images which now appear to be more informative on their creators (and on their audiences) than on the realities they claimed to document. One of the “imposed figures”of the extended Grand Tour, the harem, was painted by J.F. Lewis and photographed by R. Fenton, whose works clearly reveal the artificiality of their subject. Victorian Orientalism also implied a “re-orientalisation” of the Christian myth; artists as diverse as David Wilkie or William Holman Hunt were motivated by their quest for authenticity, even though the racist prejudice then prevalent had to be taken into account. A vision of the East was thus elaborated to fit the expectations of the public, a vision that was aesthetically more satisfactory than would have been a faithful reproduction of reality.https://journals.openedition.org/sillagescritiques/1984paintingorientalismnineteenth centuryGreat BritainLewisJohn Frederick |
| spellingShingle | Laurent Bury Faire voir l'Orient : réflexion sur un artifice victorien Sillages Critiques painting orientalism nineteenth century Great Britain Lewis John Frederick |
| title | Faire voir l'Orient : réflexion sur un artifice victorien |
| title_full | Faire voir l'Orient : réflexion sur un artifice victorien |
| title_fullStr | Faire voir l'Orient : réflexion sur un artifice victorien |
| title_full_unstemmed | Faire voir l'Orient : réflexion sur un artifice victorien |
| title_short | Faire voir l'Orient : réflexion sur un artifice victorien |
| title_sort | faire voir l orient reflexion sur un artifice victorien |
| topic | painting orientalism nineteenth century Great Britain Lewis John Frederick |
| url | https://journals.openedition.org/sillagescritiques/1984 |
| work_keys_str_mv | AT laurentbury fairevoirlorientreflexionsurunartificevictorien |