Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and Lazzarato
In this paper I will analyse the theoretical background of a single video installation – co-created by Angela Melitopoulos and Maurizio Lazzarato – in order to unpack Deleuze and Guattari’s important but somewhat elusive concepts of ‘machinic animism’ and ‘asignifying semiotics.’ Assemblages (2010)...
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Language: | English |
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TU Delft OPEN Publishing
2014-04-01
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Series: | Footprint |
Online Access: | https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/801 |
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author | Jay Hetrick |
author_facet | Jay Hetrick |
author_sort | Jay Hetrick |
collection | DOAJ |
description | In this paper I will analyse the theoretical background of a single video installation – co-created by Angela Melitopoulos and Maurizio Lazzarato – in order to unpack Deleuze and Guattari’s important but somewhat elusive concepts of ‘machinic animism’ and ‘asignifying semiotics.’ Assemblages (2010) is a three channel audio-visual documentary about the French philosopher and psychoanalyst Félix Guattari. I will argue that, in order to fully understand this work, we must interrogate the incredibly dense theoretical context it inhabits. In particular, I will explore the juncture between Guattari’s ethico-aesthetic ideas concerning a potential ‘ecosophy’ – or theory of the different relations between humans and nature that depends upon a new semiotics – and Lazzarato’s conception of ‘videophilosophy,’ which is grounded upon a politicised Bergsonian onto-aesthetics. I will conclude by criticizing Nicolas Bourriaud’s misappropriation of Guattari in his book Relational Aesthetics and propose that Assemblages demands quite a different and more radical gesture of relationality: one that follows an ecosophical logic that envelopes and imbricates the different levels of nature, the individual, and the social in a way that we might qualify with the term ‘unnatural participation.’ |
format | Article |
id | doaj-art-21d1d8f82beb41e8a3d006de528fcf19 |
institution | Kabale University |
issn | 1875-1504 1875-1490 |
language | English |
publishDate | 2014-04-01 |
publisher | TU Delft OPEN Publishing |
record_format | Article |
series | Footprint |
spelling | doaj-art-21d1d8f82beb41e8a3d006de528fcf192025-02-03T06:46:03ZengTU Delft OPEN PublishingFootprint1875-15041875-14902014-04-018110.7480/footprint.8.1.801814Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and LazzaratoJay HetrickIn this paper I will analyse the theoretical background of a single video installation – co-created by Angela Melitopoulos and Maurizio Lazzarato – in order to unpack Deleuze and Guattari’s important but somewhat elusive concepts of ‘machinic animism’ and ‘asignifying semiotics.’ Assemblages (2010) is a three channel audio-visual documentary about the French philosopher and psychoanalyst Félix Guattari. I will argue that, in order to fully understand this work, we must interrogate the incredibly dense theoretical context it inhabits. In particular, I will explore the juncture between Guattari’s ethico-aesthetic ideas concerning a potential ‘ecosophy’ – or theory of the different relations between humans and nature that depends upon a new semiotics – and Lazzarato’s conception of ‘videophilosophy,’ which is grounded upon a politicised Bergsonian onto-aesthetics. I will conclude by criticizing Nicolas Bourriaud’s misappropriation of Guattari in his book Relational Aesthetics and propose that Assemblages demands quite a different and more radical gesture of relationality: one that follows an ecosophical logic that envelopes and imbricates the different levels of nature, the individual, and the social in a way that we might qualify with the term ‘unnatural participation.’https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/801 |
spellingShingle | Jay Hetrick Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and Lazzarato Footprint |
title | Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and Lazzarato |
title_full | Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and Lazzarato |
title_fullStr | Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and Lazzarato |
title_full_unstemmed | Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and Lazzarato |
title_short | Video Assemblages: ‘Machinic Animism’ and ‘Asignifying Semiotics’ in the Work of Melitopoulos and Lazzarato |
title_sort | video assemblages machinic animism and asignifying semiotics in the work of melitopoulos and lazzarato |
url | https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/801 |
work_keys_str_mv | AT jayhetrick videoassemblagesmachinicanimismandasignifyingsemioticsintheworkofmelitopoulosandlazzarato |