Drunkards and Singers: A Mongolian Battle of Sounds

When I conducted fieldwork among the Darhad of northern Mongolia my informants repeatedly asserted that after a good singer’s performance even the most badly intoxicated lad stands still and keeps silent. In this article, I make three points in order to explain why this claim was made. In the first...

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Main Author: Laurent Legrain
Format: Article
Language:English
Published: Sciendo 2016-12-01
Series:Journal of Ethnology and Folkloristics
Subjects:
Online Access:https://www.jef.ee/index.php/journal/article/view/226
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author Laurent Legrain
author_facet Laurent Legrain
author_sort Laurent Legrain
collection DOAJ
description When I conducted fieldwork among the Darhad of northern Mongolia my informants repeatedly asserted that after a good singer’s performance even the most badly intoxicated lad stands still and keeps silent. In this article, I make three points in order to explain why this claim was made. In the first one, I show that the main concern about singing performance at social gatherings is not about revealing the singer’s inner emotional realm but rather about crafting a collective feeling that has the ability to make people temporarily shed their otherness and converge. The problem with drunkards lies in the fact that they are unable to participate and even noisily impede this rite of convergence. The main reason is that they are not sufficiently detached from their own inner realm. I then put the concept of noise in context, arguing that it forms the repulsive pole of a Mongolian sonic continuum. In my last point, I stress the fact that according to Mongolian linguistic ideology, noise brings misfortune to the entire community. That is why good singers must win their battle against drunkards.
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spelling doaj-art-21520555e6c2484e8742360f25f6bad52025-02-02T17:40:39ZengSciendoJournal of Ethnology and Folkloristics1736-65182228-09872016-12-01102658010.1515/jef-2016-0011147Drunkards and Singers: A Mongolian Battle of SoundsLaurent Legrain0Université Libre de BruxellesWhen I conducted fieldwork among the Darhad of northern Mongolia my informants repeatedly asserted that after a good singer’s performance even the most badly intoxicated lad stands still and keeps silent. In this article, I make three points in order to explain why this claim was made. In the first one, I show that the main concern about singing performance at social gatherings is not about revealing the singer’s inner emotional realm but rather about crafting a collective feeling that has the ability to make people temporarily shed their otherness and converge. The problem with drunkards lies in the fact that they are unable to participate and even noisily impede this rite of convergence. The main reason is that they are not sufficiently detached from their own inner realm. I then put the concept of noise in context, arguing that it forms the repulsive pole of a Mongolian sonic continuum. In my last point, I stress the fact that according to Mongolian linguistic ideology, noise brings misfortune to the entire community. That is why good singers must win their battle against drunkards.https://www.jef.ee/index.php/journal/article/view/226Mongoliasongslinguistic ideologyalcoholotherness
spellingShingle Laurent Legrain
Drunkards and Singers: A Mongolian Battle of Sounds
Journal of Ethnology and Folkloristics
Mongolia
songs
linguistic ideology
alcohol
otherness
title Drunkards and Singers: A Mongolian Battle of Sounds
title_full Drunkards and Singers: A Mongolian Battle of Sounds
title_fullStr Drunkards and Singers: A Mongolian Battle of Sounds
title_full_unstemmed Drunkards and Singers: A Mongolian Battle of Sounds
title_short Drunkards and Singers: A Mongolian Battle of Sounds
title_sort drunkards and singers a mongolian battle of sounds
topic Mongolia
songs
linguistic ideology
alcohol
otherness
url https://www.jef.ee/index.php/journal/article/view/226
work_keys_str_mv AT laurentlegrain drunkardsandsingersamongolianbattleofsounds