Narrating Cultural Heritage

In this article, I investigate some of the elements and mechanisms involved in the process in which cultural heritage, in the form of narrated local history, emerges. My argumentation is that certain collectively known phenomena achieve such a strong agency of their own that they have the power to f...

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Main Author: Ulf Palmenfelt
Format: Article
Language:English
Published: Sciendo 2011-03-01
Series:Journal of Ethnology and Folkloristics
Subjects:
Online Access:https://www.jef.ee/index.php/journal/article/view/6
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author Ulf Palmenfelt
author_facet Ulf Palmenfelt
author_sort Ulf Palmenfelt
collection DOAJ
description In this article, I investigate some of the elements and mechanisms involved in the process in which cultural heritage, in the form of narrated local history, emerges. My argumentation is that certain collectively known phenomena achieve such a strong agency of their own that they have the power to force themselves into individuals’ life histories. In analogy with Albert Eskeröd’s concept dominant of tradition, I suggest that these elements from local and national history be called dominant units. The interplay between several individual narratives in a local community and the collective elements takes the form of a joint negotiating process, generating agreements and discrepancies, shared ‘truths’ and contested disagreements, the acceptance of shared local symbols and the forgetting of less captivating material. The emerging products of such processes are grand narratives in different degrees of development circulating at different levels and in different cultural arenas in a community.
format Article
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institution Kabale University
issn 1736-6518
2228-0987
language English
publishDate 2011-03-01
publisher Sciendo
record_format Article
series Journal of Ethnology and Folkloristics
spelling doaj-art-20abd8c647404f348129ec9de0a8b7cd2025-02-02T14:00:04ZengSciendoJournal of Ethnology and Folkloristics1736-65182228-09872011-03-014163736Narrating Cultural HeritageUlf Palmenfelt0Gotland UniversityIn this article, I investigate some of the elements and mechanisms involved in the process in which cultural heritage, in the form of narrated local history, emerges. My argumentation is that certain collectively known phenomena achieve such a strong agency of their own that they have the power to force themselves into individuals’ life histories. In analogy with Albert Eskeröd’s concept dominant of tradition, I suggest that these elements from local and national history be called dominant units. The interplay between several individual narratives in a local community and the collective elements takes the form of a joint negotiating process, generating agreements and discrepancies, shared ‘truths’ and contested disagreements, the acceptance of shared local symbols and the forgetting of less captivating material. The emerging products of such processes are grand narratives in different degrees of development circulating at different levels and in different cultural arenas in a community.https://www.jef.ee/index.php/journal/article/view/6narrated life historydominant unitsgrand narrativesdegree of collectivitylevel of participation
spellingShingle Ulf Palmenfelt
Narrating Cultural Heritage
Journal of Ethnology and Folkloristics
narrated life history
dominant units
grand narratives
degree of collectivity
level of participation
title Narrating Cultural Heritage
title_full Narrating Cultural Heritage
title_fullStr Narrating Cultural Heritage
title_full_unstemmed Narrating Cultural Heritage
title_short Narrating Cultural Heritage
title_sort narrating cultural heritage
topic narrated life history
dominant units
grand narratives
degree of collectivity
level of participation
url https://www.jef.ee/index.php/journal/article/view/6
work_keys_str_mv AT ulfpalmenfelt narratingculturalheritage