Qui s’assoit où ?
The observation and the analysis of the spectators’ behavior entering a cinema, choosing their places then releasing them at the end of the meeting, made possible to highlight many common characteristics. The choice and the occupation of a seat don’t concern the search for a technical optimum of vie...
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| Format: | Article |
| Language: | deu |
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Conserveries Mémorielles
2012-04-01
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| Series: | Conserveries Mémorielles |
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| Online Access: | https://journals.openedition.org/cm/1070 |
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| _version_ | 1832096182003826688 |
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| author | Claude Forest |
| author_facet | Claude Forest |
| author_sort | Claude Forest |
| collection | DOAJ |
| description | The observation and the analysis of the spectators’ behavior entering a cinema, choosing their places then releasing them at the end of the meeting, made possible to highlight many common characteristics. The choice and the occupation of a seat don’t concern the search for a technical optimum of viewing of the film’s projection. A differentiation of certain behaviors can be observed according to the composition of the public which varies itself according to the room, film or the hour of meeting, but the interactions mimetic between spectators is undeniable, and the recurring mechanisms of influence, independent of public’s composition, and can be structured by the architecture and the space of the room itself. The main part of behaviors for the choice and the release of the seats first obey rules and strategies of occupation of a space and a territory, strongly conditioned by the age and especially the sex of the spectator. |
| format | Article |
| id | doaj-art-2067fa27922d4c3f9d6676d44a30b7a4 |
| institution | Kabale University |
| issn | 1718-5556 |
| language | deu |
| publishDate | 2012-04-01 |
| publisher | Conserveries Mémorielles |
| record_format | Article |
| series | Conserveries Mémorielles |
| spelling | doaj-art-2067fa27922d4c3f9d6676d44a30b7a42025-02-05T16:16:15ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562012-04-0112Qui s’assoit où ?Claude ForestThe observation and the analysis of the spectators’ behavior entering a cinema, choosing their places then releasing them at the end of the meeting, made possible to highlight many common characteristics. The choice and the occupation of a seat don’t concern the search for a technical optimum of viewing of the film’s projection. A differentiation of certain behaviors can be observed according to the composition of the public which varies itself according to the room, film or the hour of meeting, but the interactions mimetic between spectators is undeniable, and the recurring mechanisms of influence, independent of public’s composition, and can be structured by the architecture and the space of the room itself. The main part of behaviors for the choice and the release of the seats first obey rules and strategies of occupation of a space and a territory, strongly conditioned by the age and especially the sex of the spectator.https://journals.openedition.org/cm/1070placespectatorsmoviesbehaviorseatchoice |
| spellingShingle | Claude Forest Qui s’assoit où ? Conserveries Mémorielles place spectators movies behavior seat choice |
| title | Qui s’assoit où ? |
| title_full | Qui s’assoit où ? |
| title_fullStr | Qui s’assoit où ? |
| title_full_unstemmed | Qui s’assoit où ? |
| title_short | Qui s’assoit où ? |
| title_sort | qui s assoit ou |
| topic | place spectators movies behavior seat choice |
| url | https://journals.openedition.org/cm/1070 |
| work_keys_str_mv | AT claudeforest quisassoitou |