On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
The article examines the similarities and differences between the Russian folk singing tradition and church singing art. The author discusses the common principles of melodic organization of tunes based on typical melodic turns, the possibility of performing different verbal texts on the same tune (...
Saved in:
| Main Author: | Pashina Olga A. |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
State Institute for Art Studies
2024-12-01
|
| Series: | Художественная культура |
| Subjects: | |
| Online Access: | https://artculturestudies.sias.ru/upload/iblock/b93/stln6ij7huu1xjfbv5icuoenzpwict56/hk_2024_4_602.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Negotiating Authenticity through Folk Singing Interpretations
by: Mojca Kovačič
Published: (2025-06-01) -
Perceived vibrato and the singing power ratio explain overall evaluations in opera singing
by: Haruka Kondo, et al.
Published: (2025-08-01) -
The Development of Ukrainian Singing Culture during the Middle Ages
by: Lyudmyla M. Sbitnieva, et al.
Published: (2022-11-01) -
The Role of Byzantine Chant in Ukrainian Religious Mentality, Orthodox Church and Paraliturgical Music Traditions
by: Viktoriia Kashaiuk, et al.
Published: (2025-05-01) -
Singing in Tune: Berimbau Tuning and Song Mode in Capoeira (1937–1978)
by: Juan Diego Díaz, et al.
Published: (2024-06-01)