Fallen Women in George Eliot’s Early Novels

The Victorians placed such an importance on virginity and chastity that they regarded a woman’s loss of chastity as ‘the tragedy of tragedies’. This paper deals with this form of moral and sexual deviance as it is represented in the early novels of George Eliot. It starts with two minor works, Scene...

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Main Author: Alain Jumeau
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2005-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/15025
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author Alain Jumeau
author_facet Alain Jumeau
author_sort Alain Jumeau
collection DOAJ
description The Victorians placed such an importance on virginity and chastity that they regarded a woman’s loss of chastity as ‘the tragedy of tragedies’. This paper deals with this form of moral and sexual deviance as it is represented in the early novels of George Eliot. It starts with two minor works, Scenes of Clerical Life and Silas Marner, where the theme is only given secondary importance, before considering the fall of Hetty Sorrel in Adam Bede, and of Maggie Tulliver in The Mill on the Floss. In this last novel George Eliot’s treatment of the theme is more original than in Adam Bede. This is certainly her most committed defence of the fallen woman. Perhaps it can also be read as an attempt at self-justification, meant for Victorian public opinion.
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publisher Presses Universitaires de la Méditerranée
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-1f86063fe9404c1bb4d43256dad591262025-01-30T10:22:35ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492005-12-016110.4000/11s9iFallen Women in George Eliot’s Early NovelsAlain JumeauThe Victorians placed such an importance on virginity and chastity that they regarded a woman’s loss of chastity as ‘the tragedy of tragedies’. This paper deals with this form of moral and sexual deviance as it is represented in the early novels of George Eliot. It starts with two minor works, Scenes of Clerical Life and Silas Marner, where the theme is only given secondary importance, before considering the fall of Hetty Sorrel in Adam Bede, and of Maggie Tulliver in The Mill on the Floss. In this last novel George Eliot’s treatment of the theme is more original than in Adam Bede. This is certainly her most committed defence of the fallen woman. Perhaps it can also be read as an attempt at self-justification, meant for Victorian public opinion.https://journals.openedition.org/cve/15025
spellingShingle Alain Jumeau
Fallen Women in George Eliot’s Early Novels
Cahiers Victoriens et Edouardiens
title Fallen Women in George Eliot’s Early Novels
title_full Fallen Women in George Eliot’s Early Novels
title_fullStr Fallen Women in George Eliot’s Early Novels
title_full_unstemmed Fallen Women in George Eliot’s Early Novels
title_short Fallen Women in George Eliot’s Early Novels
title_sort fallen women in george eliot s early novels
url https://journals.openedition.org/cve/15025
work_keys_str_mv AT alainjumeau fallenwomeningeorgeeliotsearlynovels