Existential and Phenomenological Horror in Les Diaboliques
This article will show how, through an expressionist style that references Gothic and noir cinema, Les Diaboliques (Henri-Georges Clouzot, 1955) mediates concepts found in contemporary post-war French existentialism, in particular the phenomenology of horror of Sartre, with whom the director had a p...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2025-02-01
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| Series: | Film-Philosophy |
| Subjects: | |
| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2025.0291 |
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