Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation

This paper explores an imagined ‘origin story’ for ethnographic conservation; exploring the relationships between museums, conservators, indigenous peoples, and ‘ethnographic collections’. Tracing the ‘conservation idea’ from its origins in a state of neurosis to our contemporary post-modern conditi...

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Main Author: Daniel Cull
Format: Article
Language:English
Published: Association CeROArt 2009-10-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/1237
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author Daniel Cull
author_facet Daniel Cull
author_sort Daniel Cull
collection DOAJ
description This paper explores an imagined ‘origin story’ for ethnographic conservation; exploring the relationships between museums, conservators, indigenous peoples, and ‘ethnographic collections’. Tracing the ‘conservation idea’ from its origins in a state of neurosis to our contemporary post-modern condition, the paper aims to highlight the process through which wounds are being healed and museums along with the profession of conservation are being re-imagined. In so doing the paper explores the increasing realization of the subjectivity of the past, whilst acting as one such subjective his-story.
format Article
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institution Kabale University
issn 1784-5092
language English
publishDate 2009-10-01
publisher Association CeROArt
record_format Article
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-1d069446fabc4e93a667d88c706adf7c2025-01-30T14:13:34ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922009-10-01410.4000/ceroart.1237Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic ConservationDaniel CullThis paper explores an imagined ‘origin story’ for ethnographic conservation; exploring the relationships between museums, conservators, indigenous peoples, and ‘ethnographic collections’. Tracing the ‘conservation idea’ from its origins in a state of neurosis to our contemporary post-modern condition, the paper aims to highlight the process through which wounds are being healed and museums along with the profession of conservation are being re-imagined. In so doing the paper explores the increasing realization of the subjectivity of the past, whilst acting as one such subjective his-story.https://journals.openedition.org/ceroart/1237subjectivityneurosisethnographic conservationdeathorigin story
spellingShingle Daniel Cull
Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
subjectivity
neurosis
ethnographic conservation
death
origin story
title Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation
title_full Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation
title_fullStr Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation
title_full_unstemmed Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation
title_short Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation
title_sort subjectivity as treatment neurosis and the roots of contemporary ethnographic conservation
topic subjectivity
neurosis
ethnographic conservation
death
origin story
url https://journals.openedition.org/ceroart/1237
work_keys_str_mv AT danielcull subjectivityastreatmentneurosisandtherootsofcontemporaryethnographicconservation