Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation
This paper explores an imagined ‘origin story’ for ethnographic conservation; exploring the relationships between museums, conservators, indigenous peoples, and ‘ethnographic collections’. Tracing the ‘conservation idea’ from its origins in a state of neurosis to our contemporary post-modern conditi...
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Format: | Article |
Language: | English |
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Association CeROArt
2009-10-01
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Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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Online Access: | https://journals.openedition.org/ceroart/1237 |
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author | Daniel Cull |
author_facet | Daniel Cull |
author_sort | Daniel Cull |
collection | DOAJ |
description | This paper explores an imagined ‘origin story’ for ethnographic conservation; exploring the relationships between museums, conservators, indigenous peoples, and ‘ethnographic collections’. Tracing the ‘conservation idea’ from its origins in a state of neurosis to our contemporary post-modern condition, the paper aims to highlight the process through which wounds are being healed and museums along with the profession of conservation are being re-imagined. In so doing the paper explores the increasing realization of the subjectivity of the past, whilst acting as one such subjective his-story. |
format | Article |
id | doaj-art-1d069446fabc4e93a667d88c706adf7c |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2009-10-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-1d069446fabc4e93a667d88c706adf7c2025-01-30T14:13:34ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922009-10-01410.4000/ceroart.1237Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic ConservationDaniel CullThis paper explores an imagined ‘origin story’ for ethnographic conservation; exploring the relationships between museums, conservators, indigenous peoples, and ‘ethnographic collections’. Tracing the ‘conservation idea’ from its origins in a state of neurosis to our contemporary post-modern condition, the paper aims to highlight the process through which wounds are being healed and museums along with the profession of conservation are being re-imagined. In so doing the paper explores the increasing realization of the subjectivity of the past, whilst acting as one such subjective his-story.https://journals.openedition.org/ceroart/1237subjectivityneurosisethnographic conservationdeathorigin story |
spellingShingle | Daniel Cull Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation CeROArt : Conservation, Exposition, Restauration d'Objets d'Art subjectivity neurosis ethnographic conservation death origin story |
title | Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation |
title_full | Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation |
title_fullStr | Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation |
title_full_unstemmed | Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation |
title_short | Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation |
title_sort | subjectivity as treatment neurosis and the roots of contemporary ethnographic conservation |
topic | subjectivity neurosis ethnographic conservation death origin story |
url | https://journals.openedition.org/ceroart/1237 |
work_keys_str_mv | AT danielcull subjectivityastreatmentneurosisandtherootsofcontemporaryethnographicconservation |