Las músicas amerindias del Chaco argentino entre la hibridación y la exotización
Starting from the musical piece Qom Llalec (« Son of the Qom ») of Toba or Qom musician Romualdo Diarte (Formosa, Argentina), which became the first CD of indigenous music produced by the Culture Department of this province, we discuss the impact of recent cultural policies in the music of these peo...
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Société des américanistes
2015-12-01
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| Series: | Journal de la Société des Américanistes |
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| Online Access: | https://journals.openedition.org/jsa/14358 |
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| author | Silvia Citro Soledad Torres Agüero |
| author_facet | Silvia Citro Soledad Torres Agüero |
| author_sort | Silvia Citro |
| collection | DOAJ |
| description | Starting from the musical piece Qom Llalec (« Son of the Qom ») of Toba or Qom musician Romualdo Diarte (Formosa, Argentina), which became the first CD of indigenous music produced by the Culture Department of this province, we discuss the impact of recent cultural policies in the music of these peoples. The hypothesis is that this musical piece evidences the political strategy of the provincial government for legitimating the imaginary of a « multicultural identity » that revalorizes the Chaco Indians, responding in this way to demands of multiculturalism and patrimonialization of national and global policies. Nevertheless, the processes of hybridization, exoticization and invisibilization of the indigenous also reveal the tensions and inequalities that persist in the relationships among government, creoles and indigenous people, as well as the tactics of the latter to address them. |
| format | Article |
| id | doaj-art-1c71dcafcbdc482f91a61155537cef70 |
| institution | Kabale University |
| issn | 0037-9174 1957-7842 |
| language | English |
| publishDate | 2015-12-01 |
| publisher | Société des américanistes |
| record_format | Article |
| series | Journal de la Société des Américanistes |
| spelling | doaj-art-1c71dcafcbdc482f91a61155537cef702025-02-05T15:54:03ZengSociété des américanistesJournal de la Société des Américanistes0037-91741957-78422015-12-01101120323010.4000/jsa.14358Las músicas amerindias del Chaco argentino entre la hibridación y la exotizaciónSilvia CitroSoledad Torres AgüeroStarting from the musical piece Qom Llalec (« Son of the Qom ») of Toba or Qom musician Romualdo Diarte (Formosa, Argentina), which became the first CD of indigenous music produced by the Culture Department of this province, we discuss the impact of recent cultural policies in the music of these peoples. The hypothesis is that this musical piece evidences the political strategy of the provincial government for legitimating the imaginary of a « multicultural identity » that revalorizes the Chaco Indians, responding in this way to demands of multiculturalism and patrimonialization of national and global policies. Nevertheless, the processes of hybridization, exoticization and invisibilization of the indigenous also reveal the tensions and inequalities that persist in the relationships among government, creoles and indigenous people, as well as the tactics of the latter to address them.https://journals.openedition.org/jsa/14358musicindigenous peoplepatrimonyTobashybridity |
| spellingShingle | Silvia Citro Soledad Torres Agüero Las músicas amerindias del Chaco argentino entre la hibridación y la exotización Journal de la Société des Américanistes music indigenous people patrimony Tobas hybridity |
| title | Las músicas amerindias del Chaco argentino entre la hibridación y la exotización |
| title_full | Las músicas amerindias del Chaco argentino entre la hibridación y la exotización |
| title_fullStr | Las músicas amerindias del Chaco argentino entre la hibridación y la exotización |
| title_full_unstemmed | Las músicas amerindias del Chaco argentino entre la hibridación y la exotización |
| title_short | Las músicas amerindias del Chaco argentino entre la hibridación y la exotización |
| title_sort | las musicas amerindias del chaco argentino entre la hibridacion y la exotizacion |
| topic | music indigenous people patrimony Tobas hybridity |
| url | https://journals.openedition.org/jsa/14358 |
| work_keys_str_mv | AT silviacitro lasmusicasamerindiasdelchacoargentinoentrelahibridacionylaexotizacion AT soledadtorresaguero lasmusicasamerindiasdelchacoargentinoentrelahibridacionylaexotizacion |