Musical Manifestations of Textual Patterning in Estonian Regilaul

The article analyses the marking of song text patterns by means of musical devices in the performances of Estonian regilaul. The article examines which variants of musical rhythm and melodic contour are preferred by four singers in their performance of verses that have different functions within the...

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Main Author: Janika Oras
Format: Article
Language:English
Published: Sciendo 2011-05-01
Series:Journal of Ethnology and Folkloristics
Subjects:
Online Access:https://www.jef.ee/index.php/journal/article/view/55
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author Janika Oras
author_facet Janika Oras
author_sort Janika Oras
collection DOAJ
description The article analyses the marking of song text patterns by means of musical devices in the performances of Estonian regilaul. The article examines which variants of musical rhythm and melodic contour are preferred by four singers in their performance of verses that have different functions within the song structure. In both the text and the musical rhythm, a greater number of syllables, and the attendant changes in musical rhythm, mark the verses that have an initiating function and which communicate entirely new information. In performing such verses, rather than the extension verses of parallelism groups or verse repetitions, in the short melodies with narrow pitch range, the singers prefer more "intense" variants of melody contours in which the higher notes of the scale are predominantly used. In two-line melodies, the singer's patterning of the song text is largely determined by the musical logic, attempting to align the beginnings of the melodic strophes and verse groups.
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publishDate 2011-05-01
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series Journal of Ethnology and Folkloristics
spelling doaj-art-1bd80d7f098b40b28b1d8bb3b1159fd82025-02-02T19:48:18ZengSciendoJournal of Ethnology and Folkloristics1736-65182228-09872011-05-0142556854Musical Manifestations of Textual Patterning in Estonian RegilaulJanika Oras0Estonian Literary MuseumThe article analyses the marking of song text patterns by means of musical devices in the performances of Estonian regilaul. The article examines which variants of musical rhythm and melodic contour are preferred by four singers in their performance of verses that have different functions within the song structure. In both the text and the musical rhythm, a greater number of syllables, and the attendant changes in musical rhythm, mark the verses that have an initiating function and which communicate entirely new information. In performing such verses, rather than the extension verses of parallelism groups or verse repetitions, in the short melodies with narrow pitch range, the singers prefer more "intense" variants of melody contours in which the higher notes of the scale are predominantly used. In two-line melodies, the singer's patterning of the song text is largely determined by the musical logic, attempting to align the beginnings of the melodic strophes and verse groups.https://www.jef.ee/index.php/journal/article/view/55runo songEstonian regilaulmusical variationtextual patterningverse parallelism
spellingShingle Janika Oras
Musical Manifestations of Textual Patterning in Estonian Regilaul
Journal of Ethnology and Folkloristics
runo song
Estonian regilaul
musical variation
textual patterning
verse parallelism
title Musical Manifestations of Textual Patterning in Estonian Regilaul
title_full Musical Manifestations of Textual Patterning in Estonian Regilaul
title_fullStr Musical Manifestations of Textual Patterning in Estonian Regilaul
title_full_unstemmed Musical Manifestations of Textual Patterning in Estonian Regilaul
title_short Musical Manifestations of Textual Patterning in Estonian Regilaul
title_sort musical manifestations of textual patterning in estonian regilaul
topic runo song
Estonian regilaul
musical variation
textual patterning
verse parallelism
url https://www.jef.ee/index.php/journal/article/view/55
work_keys_str_mv AT janikaoras musicalmanifestationsoftextualpatterninginestonianregilaul