Apocalypse Now? Kate Atkinson Reads Ovid’s Metamorphoses

Kate Atkinson’s short story collection, Not the End of the World (2002), has typically puzzled reviewers, unsure of its goals and hesitant about its success. This essay offers an alternative, by reading the collection through the lens of Ovid’s Metamorphoses. Atkinson clearly signals her debt to Ovi...

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Main Author: Barbara Weiden Boyd
Format: Article
Language:deu
Published: Université Lille-3 2024-12-01
Series:Dictynna
Subjects:
Online Access:https://journals.openedition.org/dictynna/3873
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author Barbara Weiden Boyd
author_facet Barbara Weiden Boyd
author_sort Barbara Weiden Boyd
collection DOAJ
description Kate Atkinson’s short story collection, Not the End of the World (2002), has typically puzzled reviewers, unsure of its goals and hesitant about its success. This essay offers an alternative, by reading the collection through the lens of Ovid’s Metamorphoses. Atkinson clearly signals her debt to Ovid in several epigraphs, but the overall impression left with readers who know Ovid only as a repository of classical myth has caused Atkinson’s remarkably inventive reception of Ovidian poetics to be misread. Atkinson uses the Latin poet’s interest in change and its often strange permutations as a way of interrogating contemporary concerns about consumerism, environmental degradation, and cultural forgetfulness, against a backdrop of post-apocalyptic fantasy. The result is both a new appreciation for Atkinson’s brilliance and a fresh approach to Ovid’s transformative masterpiece.
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publishDate 2024-12-01
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spelling doaj-art-1865338db12943d9b0c2c74edcecccbd2025-01-30T14:29:03ZdeuUniversité Lille-3Dictynna1969-42021765-31422024-12-012110.4000/12vk5Apocalypse Now? Kate Atkinson Reads Ovid’s MetamorphosesBarbara Weiden BoydKate Atkinson’s short story collection, Not the End of the World (2002), has typically puzzled reviewers, unsure of its goals and hesitant about its success. This essay offers an alternative, by reading the collection through the lens of Ovid’s Metamorphoses. Atkinson clearly signals her debt to Ovid in several epigraphs, but the overall impression left with readers who know Ovid only as a repository of classical myth has caused Atkinson’s remarkably inventive reception of Ovidian poetics to be misread. Atkinson uses the Latin poet’s interest in change and its often strange permutations as a way of interrogating contemporary concerns about consumerism, environmental degradation, and cultural forgetfulness, against a backdrop of post-apocalyptic fantasy. The result is both a new appreciation for Atkinson’s brilliance and a fresh approach to Ovid’s transformative masterpiece.https://journals.openedition.org/dictynna/3873OvidMetamorphosesKate Atkinsonapocalypse/apocalypticPythagoreanismenvironment
spellingShingle Barbara Weiden Boyd
Apocalypse Now? Kate Atkinson Reads Ovid’s Metamorphoses
Dictynna
Ovid
Metamorphoses
Kate Atkinson
apocalypse/apocalyptic
Pythagoreanism
environment
title Apocalypse Now? Kate Atkinson Reads Ovid’s Metamorphoses
title_full Apocalypse Now? Kate Atkinson Reads Ovid’s Metamorphoses
title_fullStr Apocalypse Now? Kate Atkinson Reads Ovid’s Metamorphoses
title_full_unstemmed Apocalypse Now? Kate Atkinson Reads Ovid’s Metamorphoses
title_short Apocalypse Now? Kate Atkinson Reads Ovid’s Metamorphoses
title_sort apocalypse now kate atkinson reads ovid s metamorphoses
topic Ovid
Metamorphoses
Kate Atkinson
apocalypse/apocalyptic
Pythagoreanism
environment
url https://journals.openedition.org/dictynna/3873
work_keys_str_mv AT barbaraweidenboyd apocalypsenowkateatkinsonreadsovidsmetamorphoses