Monuments flaubertiens

In this article we reread Flaubert’s conclusions, starting from two observations: first, that they contain an excess of memory, due both to the characters and to the mementoes they collect; second, that these efforts to remember and preserve inevitably give way to oblivion. We interpret this combina...

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Main Author: Véronique Samson
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2019-12-01
Series:Flaubert: Revue Critique et Génétique
Online Access:https://journals.openedition.org/flaubert/3944
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author Véronique Samson
author_facet Véronique Samson
author_sort Véronique Samson
collection DOAJ
description In this article we reread Flaubert’s conclusions, starting from two observations: first, that they contain an excess of memory, due both to the characters and to the mementoes they collect; second, that these efforts to remember and preserve inevitably give way to oblivion. We interpret this combination of hypermnesia and amnesia as a problematic attempt to produce a memory of the text itself: in their final pages, Flaubert’s novels appear to be erecting their own monuments, while suggesting their inadequacy. Fiction, here, is at one and the same time the space in which a ‘memory crisis’ is unfolding and the very object of this crisis.
format Article
id doaj-art-185719277a6c425998112d4a7bf64611
institution Kabale University
issn 1969-6191
language fra
publishDate 2019-12-01
publisher Institut des Textes & Manuscrits Modernes (ITEM)
record_format Article
series Flaubert: Revue Critique et Génétique
spelling doaj-art-185719277a6c425998112d4a7bf646112025-02-05T16:29:42ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912019-12-012210.4000/flaubert.3944Monuments flaubertiensVéronique SamsonIn this article we reread Flaubert’s conclusions, starting from two observations: first, that they contain an excess of memory, due both to the characters and to the mementoes they collect; second, that these efforts to remember and preserve inevitably give way to oblivion. We interpret this combination of hypermnesia and amnesia as a problematic attempt to produce a memory of the text itself: in their final pages, Flaubert’s novels appear to be erecting their own monuments, while suggesting their inadequacy. Fiction, here, is at one and the same time the space in which a ‘memory crisis’ is unfolding and the very object of this crisis.https://journals.openedition.org/flaubert/3944
spellingShingle Véronique Samson
Monuments flaubertiens
Flaubert: Revue Critique et Génétique
title Monuments flaubertiens
title_full Monuments flaubertiens
title_fullStr Monuments flaubertiens
title_full_unstemmed Monuments flaubertiens
title_short Monuments flaubertiens
title_sort monuments flaubertiens
url https://journals.openedition.org/flaubert/3944
work_keys_str_mv AT veroniquesamson monumentsflaubertiens