Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir

Noir fiction was shaped, in the aftermath of World War II, by a generation of ex-servicemen who wrote, under the guise of crime stories, about the difficulty of returning to American cities and civilian life. Their often paranoid tales of victimization, violence and murder dramatize the homecoming v...

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Main Author: Benoît Tadié
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2022-05-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/18870
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author Benoît Tadié
author_facet Benoît Tadié
author_sort Benoît Tadié
collection DOAJ
description Noir fiction was shaped, in the aftermath of World War II, by a generation of ex-servicemen who wrote, under the guise of crime stories, about the difficulty of returning to American cities and civilian life. Their often paranoid tales of victimization, violence and murder dramatize the homecoming veteran’s radical estrangement from his alienated and alienating city and community. Sometimes the gulf between the two can be bridged, and the stories highlight reaffiliation and reintegration. Sometimes it cannot, and they foreground flight and exclusion. This article looks at the emotional premises, narrative patterns and political implications of these tales, thus suggesting that the main aesthetic and ideological traits of postwar noir grew out of the veterans’ foundational and problematic experience of homecoming.
format Article
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institution Kabale University
issn 1765-2766
language English
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publisher Association Française d'Etudes Américaines
record_format Article
series Transatlantica
spelling doaj-art-175f8ed242f04d16897e25cf5ee5d6752025-01-30T10:43:17ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662022-05-01110.4000/transatlantica.18870Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar NoirBenoît TadiéNoir fiction was shaped, in the aftermath of World War II, by a generation of ex-servicemen who wrote, under the guise of crime stories, about the difficulty of returning to American cities and civilian life. Their often paranoid tales of victimization, violence and murder dramatize the homecoming veteran’s radical estrangement from his alienated and alienating city and community. Sometimes the gulf between the two can be bridged, and the stories highlight reaffiliation and reintegration. Sometimes it cannot, and they foreground flight and exclusion. This article looks at the emotional premises, narrative patterns and political implications of these tales, thus suggesting that the main aesthetic and ideological traits of postwar noir grew out of the veterans’ foundational and problematic experience of homecoming.https://journals.openedition.org/transatlantica/18870democracystruggleparanoianoir fictionhardboiled fictionpulp fiction
spellingShingle Benoît Tadié
Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir
Transatlantica
democracy
struggle
paranoia
noir fiction
hardboiled fiction
pulp fiction
title Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir
title_full Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir
title_fullStr Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir
title_full_unstemmed Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir
title_short Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir
title_sort unreal cities the veterans homecoming and the fate of postwar noir
topic democracy
struggle
paranoia
noir fiction
hardboiled fiction
pulp fiction
url https://journals.openedition.org/transatlantica/18870
work_keys_str_mv AT benoittadie unrealcitiestheveteranshomecomingandthefateofpostwarnoir