Los conflictos del documental español: el caso de Basilio Martín Patino
Spanish filmmaker Basilio Martín Patino’s documentaries show a number of textual and political issues and conflicts. The aim of this paper is to study the following features in three particular films (Canciones para después de una guerra, Madrid y Libre te quiero): fiction vs. nonfiction narrative;...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Centre de Recherches Ibériques et Ibéro-Américaines
2014-12-01
|
| Series: | Cahiers de Civilisation Espagnole Contemporaine |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ccec/5291 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832581429042610176 |
|---|---|
| author | Manuel de la Fuente |
| author_facet | Manuel de la Fuente |
| author_sort | Manuel de la Fuente |
| collection | DOAJ |
| description | Spanish filmmaker Basilio Martín Patino’s documentaries show a number of textual and political issues and conflicts. The aim of this paper is to study the following features in three particular films (Canciones para después de una guerra, Madrid y Libre te quiero): fiction vs. nonfiction narrative; the political depiction of the city of Madrid; and the tools of censorship in different contexts. Martín Patino’s discourse has been critical with mainstream industries and narratives throughout his career and thus has been sidelined within the different cultural systems both in dictatorships and democratic regimes. |
| format | Article |
| id | doaj-art-1728f8c8f1374860bc1b9c6e899d0ef3 |
| institution | Kabale University |
| issn | 1957-7761 |
| language | English |
| publishDate | 2014-12-01 |
| publisher | Centre de Recherches Ibériques et Ibéro-Américaines |
| record_format | Article |
| series | Cahiers de Civilisation Espagnole Contemporaine |
| spelling | doaj-art-1728f8c8f1374860bc1b9c6e899d0ef32025-01-30T10:10:35ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612014-12-011310.4000/ccec.5291Los conflictos del documental español: el caso de Basilio Martín PatinoManuel de la FuenteSpanish filmmaker Basilio Martín Patino’s documentaries show a number of textual and political issues and conflicts. The aim of this paper is to study the following features in three particular films (Canciones para después de una guerra, Madrid y Libre te quiero): fiction vs. nonfiction narrative; the political depiction of the city of Madrid; and the tools of censorship in different contexts. Martín Patino’s discourse has been critical with mainstream industries and narratives throughout his career and thus has been sidelined within the different cultural systems both in dictatorships and democratic regimes.https://journals.openedition.org/ccec/5291francoismdocumentaryBasilio Martín PatinoPSOE15-M |
| spellingShingle | Manuel de la Fuente Los conflictos del documental español: el caso de Basilio Martín Patino Cahiers de Civilisation Espagnole Contemporaine francoism documentary Basilio Martín Patino PSOE 15-M |
| title | Los conflictos del documental español: el caso de Basilio Martín Patino |
| title_full | Los conflictos del documental español: el caso de Basilio Martín Patino |
| title_fullStr | Los conflictos del documental español: el caso de Basilio Martín Patino |
| title_full_unstemmed | Los conflictos del documental español: el caso de Basilio Martín Patino |
| title_short | Los conflictos del documental español: el caso de Basilio Martín Patino |
| title_sort | los conflictos del documental espanol el caso de basilio martin patino |
| topic | francoism documentary Basilio Martín Patino PSOE 15-M |
| url | https://journals.openedition.org/ccec/5291 |
| work_keys_str_mv | AT manueldelafuente losconflictosdeldocumentalespanolelcasodebasiliomartinpatino |