Dessiner son terrain pour le ressentir

Although researchers are increasingly incorporating drawing and comics into their methodological toolboxes, these tools remain on the margins of most scientific demonstrations. In contrast, this article revisits a research experiment using drawings in a geographical demonstration, conducted in assoc...

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Main Authors: Anne-Adélaïde Lascaux, Antoine Rigaud
Format: Article
Language:fra
Published: Pôle de Recherche pour l'Organisation et la diffusion de l'Information Géographique 2022-12-01
Series:EchoGéo
Subjects:
Online Access:https://journals.openedition.org/echogeo/24405
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author Anne-Adélaïde Lascaux
Antoine Rigaud
author_facet Anne-Adélaïde Lascaux
Antoine Rigaud
author_sort Anne-Adélaïde Lascaux
collection DOAJ
description Although researchers are increasingly incorporating drawing and comics into their methodological toolboxes, these tools remain on the margins of most scientific demonstrations. In contrast, this article revisits a research experiment using drawings in a geographical demonstration, conducted in association with Antoine, a researcher and a comics author, during my PhD. Together, we argue that graphic works are useful methodological tools for scientific demonstration. Drawings and comics highlight scientific data and preserve the integrity of the interviewees on the field. Moreover, the emotion that emerges from these works halfway between art and science is also a vector of information on a sensitive mode.
format Article
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institution Kabale University
issn 1963-1197
language fra
publishDate 2022-12-01
publisher Pôle de Recherche pour l'Organisation et la diffusion de l'Information Géographique
record_format Article
series EchoGéo
spelling doaj-art-1617b75c762c4ceab184455c6fa5742c2025-01-30T12:45:52ZfraPôle de Recherche pour l'Organisation et la diffusion de l'Information GéographiqueEchoGéo1963-11972022-12-016210.4000/echogeo.24405Dessiner son terrain pour le ressentirAnne-Adélaïde LascauxAntoine RigaudAlthough researchers are increasingly incorporating drawing and comics into their methodological toolboxes, these tools remain on the margins of most scientific demonstrations. In contrast, this article revisits a research experiment using drawings in a geographical demonstration, conducted in association with Antoine, a researcher and a comics author, during my PhD. Together, we argue that graphic works are useful methodological tools for scientific demonstration. Drawings and comics highlight scientific data and preserve the integrity of the interviewees on the field. Moreover, the emotion that emerges from these works halfway between art and science is also a vector of information on a sensitive mode.https://journals.openedition.org/echogeo/24405methodologyinformalitycomicsemotionfarm workers
spellingShingle Anne-Adélaïde Lascaux
Antoine Rigaud
Dessiner son terrain pour le ressentir
EchoGéo
methodology
informality
comics
emotion
farm workers
title Dessiner son terrain pour le ressentir
title_full Dessiner son terrain pour le ressentir
title_fullStr Dessiner son terrain pour le ressentir
title_full_unstemmed Dessiner son terrain pour le ressentir
title_short Dessiner son terrain pour le ressentir
title_sort dessiner son terrain pour le ressentir
topic methodology
informality
comics
emotion
farm workers
url https://journals.openedition.org/echogeo/24405
work_keys_str_mv AT anneadelaidelascaux dessinersonterrainpourleressentir
AT antoinerigaud dessinersonterrainpourleressentir