Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle

Following a summary account of the principal challenges faced by theatrical representations of the immigrant’s plight, this article provides a close-reading analysis of Joe Murphy and Joe Robertson’s play The Jungle and its attempts to recreate a restaurant that existed in the refugee and migrant ca...

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Main Author: Anna Street
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2022-01-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/12495
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author Anna Street
author_facet Anna Street
author_sort Anna Street
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description Following a summary account of the principal challenges faced by theatrical representations of the immigrant’s plight, this article provides a close-reading analysis of Joe Murphy and Joe Robertson’s play The Jungle and its attempts to recreate a restaurant that existed in the refugee and migrant camp in Calais by the same name. It questions how theatrical representation can rise to the task of self-disavowal while retaining its urgency. By focusing on the myriad obstacles to be overcome both in the use of theatre within refugee workshop settings and upon major-venue stages, this approach highlights theater’s extraordinary double-bind in these contexts, offering a reading of The Jungle that foregrounds theater’s transgressive capacity to stage its own renunciation, thus freeing representation from many of its self-inflicted limitations.
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spelling doaj-art-1575895b8fba4ac0873896540287d9d02025-01-30T13:47:12ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022022-01-013110.4000/sillagescritiques.12495Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The JungleAnna StreetFollowing a summary account of the principal challenges faced by theatrical representations of the immigrant’s plight, this article provides a close-reading analysis of Joe Murphy and Joe Robertson’s play The Jungle and its attempts to recreate a restaurant that existed in the refugee and migrant camp in Calais by the same name. It questions how theatrical representation can rise to the task of self-disavowal while retaining its urgency. By focusing on the myriad obstacles to be overcome both in the use of theatre within refugee workshop settings and upon major-venue stages, this approach highlights theater’s extraordinary double-bind in these contexts, offering a reading of The Jungle that foregrounds theater’s transgressive capacity to stage its own renunciation, thus freeing representation from many of its self-inflicted limitations.https://journals.openedition.org/sillagescritiques/12495immigrant theaterrefugee performanceThe JungleCalaismigrant camps
spellingShingle Anna Street
Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle
Sillages Critiques
immigrant theater
refugee performance
The Jungle
Calais
migrant camps
title Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle
title_full Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle
title_fullStr Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle
title_full_unstemmed Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle
title_short Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle
title_sort refugee theater and its transgressions acts of suspension in joe murphy and joe robertson s the jungle
topic immigrant theater
refugee performance
The Jungle
Calais
migrant camps
url https://journals.openedition.org/sillagescritiques/12495
work_keys_str_mv AT annastreet refugeetheateranditstransgressionsactsofsuspensioninjoemurphyandjoerobertsonsthejungle