Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogue
The dramatic monologue did not appear with Browning or Tennyson. But in order to reassess Robert Browning’s achievement, one might trace a line starting with Aristophanes’ dramatic use of the parabasis, evolving with the Roman satire, and going through John Donne’s game with the reader, conceived of...
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Presses Universitaires de la Méditerranée
2011-03-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/2168 |
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| author | Yann Tholoniat |
| author_facet | Yann Tholoniat |
| author_sort | Yann Tholoniat |
| collection | DOAJ |
| description | The dramatic monologue did not appear with Browning or Tennyson. But in order to reassess Robert Browning’s achievement, one might trace a line starting with Aristophanes’ dramatic use of the parabasis, evolving with the Roman satire, and going through John Donne’s game with the reader, conceived of as a silent auditor. Browning also put to good use the generic hybridity of his Romantic predecessors who endeavoured to master the spoken word within the written word. If Tennyson called Maud a monodrama, Browning’s most original generic achievement might be called a “monopolylogue”, that is to say a speech containing various voices uttered by only one speaker. |
| format | Article |
| id | doaj-art-147c225f4b0341348b0df1b5893f4d73 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2011-03-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-147c225f4b0341348b0df1b5893f4d732025-01-30T10:21:58ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492011-03-0173517010.4000/cve.2168Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogueYann TholoniatThe dramatic monologue did not appear with Browning or Tennyson. But in order to reassess Robert Browning’s achievement, one might trace a line starting with Aristophanes’ dramatic use of the parabasis, evolving with the Roman satire, and going through John Donne’s game with the reader, conceived of as a silent auditor. Browning also put to good use the generic hybridity of his Romantic predecessors who endeavoured to master the spoken word within the written word. If Tennyson called Maud a monodrama, Browning’s most original generic achievement might be called a “monopolylogue”, that is to say a speech containing various voices uttered by only one speaker.https://journals.openedition.org/cve/2168 |
| spellingShingle | Yann Tholoniat Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogue Cahiers Victoriens et Edouardiens |
| title | Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogue |
| title_full | Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogue |
| title_fullStr | Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogue |
| title_full_unstemmed | Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogue |
| title_short | Généalogie générique du monologue dramatiquebrowningnien ; et du monopolylogue |
| title_sort | genealogie generique du monologue dramatiquebrowningnien et du monopolylogue |
| url | https://journals.openedition.org/cve/2168 |
| work_keys_str_mv | AT yanntholoniat genealogiegeneriquedumonologuedramatiquebrowningnienetdumonopolylogue |